符号自我策展:实践、生活与学术的反思性活动

N. Cherry
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引用次数: 8

摘要

本文探讨作为反思的符号自我策展及其在专业实践中的应用和对专业实践的研究。象征性的自我策展是一种发展实践的方式,适合于复杂性,灵感来自于schn(1987)将实践呈现为艺术;Bleakley(1999)整体反身性;希格斯和蒂琴(2001)对专业实践发展的探索:认识、行动、存在和成为;以及van Schaik(2005)将自我策展作为教育学和研究的发展。尽管Denzin和Lincoln的(2000)在研究的“第七个时刻”,在大学里,实地调查专业实践问题的研究状况仍然是矛盾的(McWilliam 2004)。将重要的实践问题带入研究领域的候选人经常被要求简化他们的研究问题,并创建口头的、线性的、有限的文本,以表达和探索他们在复杂实践中的生活经验。然而,许多研究人员正在接受挑战,开发能够容纳专业和生活实践复杂性的新文本(O'Neill 2002)。象征性的自我策展是一种反思性的实践形式,旨在增加这些努力。它的关键要素是收集和安排“apt”,通常是非语言符号来表示我们的“不知道”和“知道”;为那些涉及与他人(亲自或通过文学)进行尊重和有力对话的人创造新的体验;测试通过沉浸在某种行动中获得的洞察力;以及注释的构造。自我管理不仅涉及自我管理实践,最终还涉及作为实践者的自我管理,鼓励自我的“收集”和以反身性的方式对自我进行元反思。这篇文章还提供了对自我管理要素的理论分析,这可能具有进一步的价值,可以解释当研究中使用替代文本和网站时,更普遍地发生了什么。希望它能对其他试图描述、解释和“证明”他们使用替代文本的学者有所帮助。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Symbolic Self-curation: A Reflexive Activity for Practice, Life and Scholarship
This article explores symbolic self-curation as reflection, and its application in professional practice and research into professional practice. Symbolic self-curation is framed as a way of developing praxis fit for complexity, inspired by Sch n's (1987) rendering of practice as artistry; Bleakley's (1999) holistic reflexivity; Higgs and Tichen's (2001) exploration of professional practice development as knowing, doing, being and becoming; and van Schaik's (2005) development of self-curation as pedagogy and research. Despite the announcement of Denzin and Lincoln's (2000) 'seventh moment' in research, the status of research that investigates issues of professional practice in situ remains ambivalent in universities (McWilliam 2004). Candidates who bring significant practice issues into the research space are often asked to simplify their research questions and create texts that are verbal, linear and limited in their capacity to represent and explore their lived experience of complex practice. Many researchers are taking up the challenge, however, of developing new texts that can hold the complexity of professional and life practice (O'Neill 2002). Symbolic self-curation is a form of reflexive practice intended to add to those efforts. Its key elements are the gathering and arrangement of 'apt', often non-verbal symbols to represent our 'not-knowing' as well as our 'knowing'; creating for those involved new experiences of respectful and robust dialogue with others (in person and through literature); testing of the insights gained by immersion in action of some kind; and construction of an exegesis. Self-curation not only involves the self-curating practice but eventually the curation of the self as practitioner, encouraging a 'gathering' of the self and meta-reflection on that self in ways that are reflexive. This article also offers a theoretical analysis of the elements of self-curation, which might have the further value of explaining what is going on more generally when alternative texts and sites are employed in research. It is hoped that it will be useful to other scholars who are seeking to describe, explain, and 'justify' their use of alternative texts.
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