苏联时期及其在波罗的海国家当代艺术家作品中的表现

Gabija Purlyte
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摘要

本文考察了苏联和后苏联历史是如何在爱沙尼亚、拉脱维亚和立陶宛当代艺术家的精选作品中呈现和反思的。随着这些新独立国家的当代艺术界的发展和加入全球当代艺术圈,一些波罗的海艺术家参与了最近的艺术“史学转向”。通过对实例的分析,我们看到了这些艺术家在处理通过个人叙述看到的历史主题时采用的四种方法;从少数民族/语言少数民族的角度讲述的历史;关注女性的经历;以及一场关于保存、移除和建造纪念物的辩论。本文旨在展示这些艺术家如何将对苏联和后苏联经验的反思融入到复杂、包容、积极的后苏联身份的构建中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Representations of the Soviet Period and Its Traces in the Works of Contemporary Artists from the Baltic States
This paper examines how Soviet and post‑Soviet history is presented and reflected upon in select works of contemporary artists from Estonia, Latvia and Lithuania. As the contemporary art scenes of these newly independent states developed and joined the global contemporary art circuit, a number of Baltic artists have participated in the recent “historiographic turn” in art. Through the analysis of examples, we look at four approaches employed by these artists when tackling the subject of history seen through personal narratives; history told from the point of view of ethnic/linguistic minorities; a focus on women’s experiences; and a debate on the preservation, removal, and building of commemorative monuments. This paper aims to show how these artists integrate reflections of the Soviet and post‑Soviet experience into the building of complex, inclusive, positive post‑Soviet identities.
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