政治经济和观众选择对卡杜纳大都市卡沃和昂古万多萨地区青年豪萨录像带电影偏好的影响

Binta Kasim Mohammed
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引用次数: 0

摘要

本文采用定额抽样、简单随机抽样和方便抽样的方法,对卡杜纳大都市卡沃和翁古万多萨地区的年轻人进行定量调查,研究豪萨族视频电影的内容偏好和类型偏好。对200个样本进行了半结构化问卷调查,但只有189个是有效的。调查结果显示,尽管不断有人批评豪萨电影行业过于依赖浪漫题材,但这是受访者中最喜欢的。其他因素,如歌曲和舞蹈数量,也是吸引年轻人观看的主要因素,其次是对当红演员和他们的穿着的喜爱,其次是广告电影预告片的吸引力。本文的结论是,观众并不像想象的那样被动,浪漫题材电影的市场主导既是为了满足观众的需求,也是为了盈利。据观察,在社会化过程中过度接触某些类型/内容可能有助于青少年的感知和偏好。本文建议电影制作人应策略性地利用最受欢迎的类型和演员来解决重要的社会挑战,并促进土著豪萨文化的积极方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A CONFLUENCE OF POLITICAL ECONOMY AND AUDIENCE SELECTIVITY ON HAUSA VIDEO FILM PREFERENCES AMONG THE YOUTH OF KAWO AND UNGUWAN DOSA AREAS OF KADUNA METROPOLIS
This paper studies the preferences of the content and genres of Hausa video films through a quantitative survey of young people selected from Kawo and Unguwan Dosa areas of Kaduna metropolis using quota, simple random and convenience sampling techniques. Semi-structured questionnaires were self-administered to a sample of 200 but only 189 were valid. The findings reveal that despite the incessant criticism of the Hausa film industry over its dependence on romantic genres, it was the most preferred among the respondents. Other factors such as the song and dance numbers were also a major attraction for viewership among the youth alongside love for popular actors and their dressing followed by the appeal of advertised film trailers. This paper concludes that the audience members are not as passive as assumed and that the market domination of films with romantic content is both to satisfy audience demand and also make profit. It is observed that over-exposure to certain genres/contents during socialization may have contributed to youth perception and preference. The paper recommends that film producers should strategically utilize the most preferred genres and actors to address important social challenges and also promote positive aspects of the indigenous Hausa culture.
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