普希金在叶赛宁创作中的存在:一种文化评论

M. Dudareva
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引用次数: 0

摘要

本文的研究对象是俄罗斯文化中月亮的原型。本文的主题是俄罗斯诗歌中新月和满月的变化形象。这篇文章的材料是由两首诗代表的——普希金的《恶魔》和叶塞宁的《穿越原野的雪》。文化和哲学分析的重点是艺术中两种现实类型的相互关系,即现象与本体,理性与自发。诗歌中月亮形象的转换问题受到了广泛关注;分析了月球的实体性质。作者在单一的文学文本中追溯了月亮形象描写的变化。作者考察了俄罗斯文学中描写暴风雪和与月亮原型有关的恶魔神话的文本。研究方法代表了对普希金和叶塞宁诗歌文本的整体本体论解释学分析,旨在突出俄罗斯民族世界形象中二元论问题的文化潜力,从而可以从本体论的立场来描述材料并深入了解诗歌世界。这项工作的结果可能会引起语言学家的兴趣,他们将文学纳入文化大对话的空间。研究结果也可用于文化研究和俄罗斯哲学课程的教学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PUSHKIN’S PRESENCE IN S.A. YESENIN’S CREATIVE WORK: A CULTUROLOGICAL COMMENTARY
The object of the article is the archetype of the Moon in the Russian culture. The subject of the article is the variable images of the crescent and full Moon in the Russian poetry. The material of the article is represented by two poems – “The Demons” by A.S. Pushkin and “Through fields of virgin snow I roam” by S.A. Yesenin. The cultural and philosophical analysis focuses on the interrelation of two types of reality, the phenomenal and the noumenal, the rational and the spontaneous in art. Much attention is paid to the problem of transformation of the Moon image in poetry; the Moon’s hypostatic nature is analysed. The author traces the change in depiction of the Moon’s image within a single literary text. The author examines the text describing the blizzard and the demonic myth associated with the Moon’s archetype in the Russian literature. The research methodology represents a holistic ontological hermeneutic analysis of poetic texts by Pushkin and Yesenin aimed at highlighting the cultural potential of the problem of dualism in the Russian national world image, which makes it possible to describe the material from ontological positions and gain an insight into the poetic word. The work results can be of interest to philologists who include literature in the space of the great dialogue of cultures. The findings can also be used in teaching cultural studies and Russian philosophy courses.
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