第三个千年的黄道十二宫。现代的黄昏——新时代的黎明

A. Fattori
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引用次数: 0

摘要

人本主义所定义的人的形象在整个现代性进程中呈现出多种形式。这些表现与人类的外部和内部不断发展的视觉有关,之前受到马可·维特鲁维奥·波利奥内的启发,然后通过莱昂纳多·达·芬奇、迭戈·委拉斯奎兹的作品,最后通过20世纪的艺术和媒体,达到了我们暂时称之为“后人类”的门槛。当前的趋势赋予了后人类思想很大程度上的进步内涵。相反,我认为,后人类可能是同样的人文主义伦理所认为的人文主义个体化中最糟糕的元素的极端强化,比如利己主义和自我参照,它们与“向心”自我有关,是一种吞噬和消灭任何形式的同理心、团结和同情的“黑洞”。我认为我们正面临着一个新的历史阶段,用一个新词来说,近代时代:个人主义极度愤怒的历史阶段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Zodiaco (o bestiario?) del Terzo millennio. Crepuscolo del moderno – aurora del neoterico
Image of the human – so as defined by Humanism – is been represented in several ways during all the course of Modernity. Those representations relate to evolving vision, both exterior and interior, of human, previously inspired to Marco Vitruvio Pollione, then passing by the works by Leonardo da Vinci, Diego Velazquez, at last by the XX century arts and media, reaching a threshold that – temporarily – we name “posthuman”. The current trend gives a largely progressive connotation to idea of posthuman. I think, instead, that posthuman may be the extreme reinforcement of that the same humanistic ethics considers as the worse elements of humanistic individualization, like egotism and self-referentiality, that are related to a “centripetal” self, a sort of “black hole” that swallows and annihilates any form of empathy, solidarity, sympathy. I think we are in front of a new historic phase, the age – with a neologism – of Neoteric : the historic phase of the absolute exasperation of individualism.
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