论命运在莎士比亚悲剧《哈姆雷特》情节中的推动作用

V. A. Andreeva, Ilya Andreev
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摘要

本文探讨了命运在莎士比亚悲剧《哈姆雷特》的情节发展中所起的推动作用。剧中的命运以三种选择的形式呈现:Fortune, Fate和Providence。第一种是给予或带走运气,第二种是追捕犯罪的人,第三种是考验一个人,向罪犯提供悔恨。悲剧的情节结合了与命运有关的两条线:对杀害兄弟的克劳迪斯的报复和将土地归还给福廷布拉斯。这篇文章展示了年轻挪威人到来的遥远威胁如何成为克劳迪斯命运的诱饵。后者以威胁为借口,缩短了对已故兄弟的哀悼时间,并安排了一场仓促的婚礼,这导致了哈姆雷特与鬼魂的相遇,最终变成了新国王的死亡。克劳迪斯的匆忙打破了王子通常的想法,把英雄引向了一个问题:“生存还是毁灭?”在与命运的斗争中,哈姆雷特以高尚的品格凌驾于命运之上。一方面,他履行了对父亲的责任,另一方面,他没有成为报复的盲目工具。跟随命运,与之抗争,他战胜了命运,所以最后,尽管流血,他还是配得上军事荣誉和天堂。相反,克劳迪斯试图改变自己的命运,一次又一次地犯罪。文章的作者展示了三种不同的命运意象是如何在关键情节中结合在一起的。特别是对哈姆雷特与莱尔提斯决斗的场景进行了详细的分析。这篇文章致力于探讨在莎士比亚的《哈姆雷特》中,命运是如何引导主要罪犯(杀兄弟的克劳迪斯)从犯罪走向惩罚,以及主要人物——从会见鬼魂到实现被谋杀者的意志。我们还在年轻的福廷布拉斯归还土地的阴谋的背景下考虑了复仇审判的阴谋。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fate as a driving force in the plot of W. Shakespeare's tragedy “Hamlet”
This article deals with the role of fate as a driving force in the plot of the tragedy “Hamlet” by W. Shakespeare. Fate in the play is presented in the form of three options: Fortune, Fate and Providence. The first gives or takes away luck, the second pursues a person for crimes committed, the third tests a person, offering remorse to the criminal. The plot of the tragedy combines two lines associated with fate: retribution to the fratricide Claudius and the return of the lands to Fortinbras. The article shows how the distant threat of the young Norwegian's arrival turns out to be the bait of fate for Claudius. The latter, using the threat as an excuse, reduces the period of mourning for the deceased brother and arranges a hasty wedding, which leads to the meeting of Hamlet with the ghost and eventually turns into the death of the new king. It is the haste of Claudius that breaks the usual ideas of the prince and leads the hero to the question “To be or not to be?” In his struggle with fate, Hamlet is above it by virtue of his noble character. He, on the one hand, fulfills his duty to his father, on the other hand, he does not become a blind instrument of revenge. Following fate and fighting it, he defeats it, so in the end, despite the bloodshed, he is worthy of military honors and paradise. Claudius, on the contrary, trying to change his fate, commits crimes over and over again. The author of the article shows how three different images of fate are combined in key episodes. In particular, the scene of the duel between Hamlet and Laertes is analyzed in detail. This article is devoted to the question of how fate in W. Shakespeare's “Hamlet” leads the main criminal (fratricidal Claudius) from crime to punishment, and the main character - from meeting with a ghost to fulfilling the will of the murdered. We also consider the plot of vengeance-trial in the context of the framed plot of returning the land by young Fortinbras.
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