隐藏的精美艺术与它的颜色

Jana Žiljak Gršić, Lidija Tepes Golubic, Sanda Stanacev Bajzek
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引用次数: 0

摘要

我们周围都是视频监控摄像机,它们分别记录在两个光区:肉眼可见的红、绿、蓝记录和近红外记录(NIR Z)。在本文中,我们提供了美术颜料光吸收测量的定量数据。我们通过举一些艺术家的例子来扩展红外艺术的理论和实践,这些艺术家将所谓的“红外画”作为一种新的、不同的艺术创作,一种新的表达可能性,艺术家将其适应于他的艺术本质,即他的表达,而绝不是一种新的技术可能性,他将自己和他的艺术从属于这种可能性。红外线艺术(Infrared Art)是一种全新的红外线领域的艺术创作方法,也就是说,它是一种发现和技术,它使我们能够创造和复制艺术作品,并完全控制通过图像,通过眼睛可见和不可见的信息来传达的双重图像和信息的管理。人们对颜色和着色剂及其物理性质问题的兴趣日益增加,促使我们不要把红外艺术即红外技术局限于实验领域,而是要最大限度地利用它在视觉传达和信息传达的各个方面的适用性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
HIDDEN FINE ART WITH IR COLORANTS
We are surrounded by video surveillance cameras that register separately in two light areas: visible to our naked eye - Red, Green Blue record and near infrared record (NIR � Z). In this article, we present quantitative data on the measurement of light absorption for fine art colorants. We expand the theory and practice of Infrared Art by giving examples of artists who paint so-called "infrared pictures" as a new, different creation of a work of art, a new expressive possibility that the artist adapts to his artistic nature, that is, to his expression, and by no means as a new technological possibility to which he will subordinate himself and his art. Infrared Art is a completely new method of creating works of art with regard to the infrared area, that is, it is a discovery and a technology that allows us to create and reproduce works of art with full control over the management of dual images and messages that can be communicated through images, via information that is visible and invisible to the eye. The increasing interest in the question of colors and colorants and their physical properties encourages us not to keep Infrared Art, that is, infrared technology, in the sphere of experiments, but to make maximum use of its applicability in all aspects of visual communication and information communication.
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