{"title":"两个北欧艺术项目中的Sámi: Mattias Olofsson的“storstina”和Jorma Puranen的“Imaginary Homecoming”","authors":"Kristin Nielsen","doi":"10.1080/00233609.2022.2037702","DOIUrl":null,"url":null,"abstract":"Summary This paper examines how representations of the Sámi emerge in the art of two contemporary Nordic artists, Mattias Olofsson and Jorma Puranen. It compares Olofsson’s performances of Stor-Stina (1999-present) with Puranen’s Imaginary Homecoming (1991-97), showing how their projects convey and simultaneously attempt to dismantle a settler mentality. Through the comparison, the paper argues for the critical discernment of how art may reproduce a colonial framework so that we may break our habitual ways of imagining the world.","PeriodicalId":164200,"journal":{"name":"Konsthistorisk tidskrift/Journal of Art History","volume":"35 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Sámi in Two Nordic Art Projects: Mattias Olofsson’s Stor-Stina and Jorma Puranen’s Imaginary Homecoming\",\"authors\":\"Kristin Nielsen\",\"doi\":\"10.1080/00233609.2022.2037702\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Summary This paper examines how representations of the Sámi emerge in the art of two contemporary Nordic artists, Mattias Olofsson and Jorma Puranen. It compares Olofsson’s performances of Stor-Stina (1999-present) with Puranen’s Imaginary Homecoming (1991-97), showing how their projects convey and simultaneously attempt to dismantle a settler mentality. Through the comparison, the paper argues for the critical discernment of how art may reproduce a colonial framework so that we may break our habitual ways of imagining the world.\",\"PeriodicalId\":164200,\"journal\":{\"name\":\"Konsthistorisk tidskrift/Journal of Art History\",\"volume\":\"35 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Konsthistorisk tidskrift/Journal of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00233609.2022.2037702\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Konsthistorisk tidskrift/Journal of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00233609.2022.2037702","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Sámi in Two Nordic Art Projects: Mattias Olofsson’s Stor-Stina and Jorma Puranen’s Imaginary Homecoming
Summary This paper examines how representations of the Sámi emerge in the art of two contemporary Nordic artists, Mattias Olofsson and Jorma Puranen. It compares Olofsson’s performances of Stor-Stina (1999-present) with Puranen’s Imaginary Homecoming (1991-97), showing how their projects convey and simultaneously attempt to dismantle a settler mentality. Through the comparison, the paper argues for the critical discernment of how art may reproduce a colonial framework so that we may break our habitual ways of imagining the world.
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