从悲伤到超然:希腊和罗马丧葬艺术中的尼俄伯神话

B. Leshem
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引用次数: 0

摘要

希腊的尼俄伯神话在古代世界以文学资料和视觉表现形式而闻名。在古希腊和古罗马,神话和各种形式的艺术一起出现在丧葬艺术中,但在每个时期都以不同的方式出现。在古希腊,这个神话被描绘在阿普利亚和南意大利的花瓶上,描绘了神话的最后一幕:尼俄伯的石化。在古罗马,一种转变是显而易见的:在石棺浮雕上描绘了杀害尼俄伯的孩子的场景。本文的目的是在比较两种主要媒体形式的同时,遵循每种文化的图像学,并了解表现方式转变的原因。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From Grief to Superbia: the Myth of Niobe in Greek and Roman Funerary Art
The Greek myth of Niobe was known in the ancient world both by literary sources and visual representations. Both in Ancient Greece and in Ancient Rome, the myth was represented, alongside a variety forms of art, in funerary art, but in a different manner during each period of time. In Ancient Greece, the myth was represented on Apulian and South Italian vases, portraying the finale scene of the myth: Niobe’s petrification. In Ancient Rome, a shift is visible: the portrayal of the scene of the killing of Niobe’s children on sarcophagi reliefs. The aim of this paper is to follow the iconography of each culture and to understand the reason for the shift in representation, while comparing the two main media forms.
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