边界与身份的诗学:《影线》中文化与跨文化的再现

Rana Abdul Munim Khan, Mazhar Hayat
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引用次数: 0

摘要

个人身份的形成是以边界和文化的单一融合为特征的。跨文化主义现象增加了关于两者之间联系本质的辩论的广度。本文旨在从边界、跨文化主义和身份建构的角度分析阿米塔夫·高希的小说《影子线》。在这种语境下,边界意味着可能性和限制,这一点在民族主义和跨文化主义的观点对比中得到了充分的反映。爱泼斯坦关于“文明的十字路口”的跨文化愿景,将为在严格的民族主义背景下讨论边界的相互联系和跨文化的可能性提供框架。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Poetics of Borders and Identity: Representation of Culture and Transcultural in The Shadow Lines
The formation of an individual's identity is marked by a singular integration of borders and cultures. The phenomenon of transculturalism has contributed to an increase in the breadth of debate over the nature of the connection between the two. This analysis aims to analyze the novel The Shadow Lines by Amitave Ghosh from the viewpoints of boundaries, transculturalism, and the building of identities. It will be claimed that boundaries in this context imply both possibilities and restrictions, a point that is fully reflected upon in the contrasting viewpoints of nationalism and transculturalism. Epstein’s transcultural vision of "crossroads of civilizations," will provide the framework to debate interlinks of border and possibilities of being transcultural in a rigidly nationalist context.
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