{"title":"群体«41˚»文本中言语与视觉的互动","authors":"E. Miroshnichenko, Daria Petrovna Fomenko","doi":"10.31860/0131-6095-2021-4-136-148","DOIUrl":null,"url":null,"abstract":"The article analyses the practices of text visualization in the works by the «41˚» group. It is suggested that visual devices play an essential role not only as the complements to the verbal component of a text, but also as the basis for verbalisation per se. In the texts, the combination of these aspects is realised through two strategies: typographic (I. Terentiev and I. Zdanevich), and handwritten (A. Kruchyonykh). The practice of text visualization is closely related to the group’s theoretical pursuits in the sphere of language.","PeriodicalId":347003,"journal":{"name":"Russkaya Literatura","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"INTERACTION BETWEEN VERBAL AND VISUAL IN THE TEXTS OF GROUP «41˚»\",\"authors\":\"E. Miroshnichenko, Daria Petrovna Fomenko\",\"doi\":\"10.31860/0131-6095-2021-4-136-148\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article analyses the practices of text visualization in the works by the «41˚» group. It is suggested that visual devices play an essential role not only as the complements to the verbal component of a text, but also as the basis for verbalisation per se. In the texts, the combination of these aspects is realised through two strategies: typographic (I. Terentiev and I. Zdanevich), and handwritten (A. Kruchyonykh). The practice of text visualization is closely related to the group’s theoretical pursuits in the sphere of language.\",\"PeriodicalId\":347003,\"journal\":{\"name\":\"Russkaya Literatura\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Russkaya Literatura\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31860/0131-6095-2021-4-136-148\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Russkaya Literatura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31860/0131-6095-2021-4-136-148","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
INTERACTION BETWEEN VERBAL AND VISUAL IN THE TEXTS OF GROUP «41˚»
The article analyses the practices of text visualization in the works by the «41˚» group. It is suggested that visual devices play an essential role not only as the complements to the verbal component of a text, but also as the basis for verbalisation per se. In the texts, the combination of these aspects is realised through two strategies: typographic (I. Terentiev and I. Zdanevich), and handwritten (A. Kruchyonykh). The practice of text visualization is closely related to the group’s theoretical pursuits in the sphere of language.
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