Barbara Hac-Rosiak
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摘要

Władysław Stanisław Reymont的《反叛》(1924)和George Orwell的《动物农场》(1946)有许多相似之处,这可能源于这两部作品的共同出处,这可以追溯到乌克兰作家Nikolai Kostomarov的作品《Skotskoy Bunt》(1879)。这些作品运用寓言手法,构建了一个反乌托邦的世界,那里居住着反抗人类的动物。它们有许多共同的主题、人物和情节模式,其中最重要的是,推翻人类霸权的愿望,这与拟人化的英雄背道而驰。这些文本在创作环境、想象力转移的来源、象征意义以及动物革命的目的等方面也有很大的不同。本文旨在追溯这些作品的前沿性和相互交叉点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Od reminiscencji do antecedencji – Kostomarov, Reymont i Orwell. Rekonesans
Bunt [Revolt] (1924) by Władysław Stanisław Reymont and Animal Farm (1946) by George Orwell display many parallels, probably stemming from the common provenance of the two works, which can be traced to the work Skotskoy bunt [Skotskoj rebellion] (1879) by the Ukrainian writer Nikolai Kostomarov. The works deploy allegory in the construction of dystopian worlds inhabited by animals that rebel against humans. They share a number of motifs, characters and plot patterns, including, most importantly, the desire to overthrow man’s hegemony, which turns against the anthropomorphized heroes. The texts also differ significantly in the circumstances of their creation, the source of imaginative transfer, the symbolism and, finally, the purpose of the animal revolution. The article aims to trace the antecedence and mutual intersection of the works in question.
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