展览开发:艺术和广告在城市空间中的巧妙运用

Figure Pub Date : 2013-12-23 DOI:10.6092/ISSN.2038-6184/4068
Alessandro Campolo
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引用次数: 0

摘要

城市空间可以是一个强大的展示,为媒体营销和传播提供了巨大的机会。如今,城市里的每一种建筑或构筑物都是一个扩大的风景背景的一部分,适合表演表现短暂或永久价值的壮观表演。城市场景的变化速度比其建筑更快,成为社会和文化变化的原型。当代城市是任何形式的交流或密集传播思想和“建议”的首选场所。它的空间由艺术和广告争夺,通过干预和不断的交叉过程,在它们的特定意图中找到融合。虽然艺术行为经常利用城市空间用于社交或促销目的,试图让城市中废弃或退化的地方更引人注目,但广告却利用城市中最显眼的地方用于商业目的。但这些年来,艺术和广告也发生了变化。两者都加强了彼此之间的联系,两者都借鉴了彼此的工具;事实上,今天他们的参数和策略是混合的。观察者或城市用户往往没有意识到这种模棱两可的交流,经常吸收信息,但混淆了它的真正含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exhibition Exploitation: the artful use of art and advertising in urban spaces
Urban space can be a powerful display that offers great chances to media marketing and communication in general. Nowadays, every kind of architecture or structure in the city is part of an expanded scenic backdrop suitable to perform spectacular acts expressing either ephemeral or permanent values. Mutating faster than its architecture, the urban scenario becomes the archetype of social and cultural changes. The contemporary city is the favored place for any kind of communication or intensive propagation of ideas and “suggestions”. Its spaces are contended by art and advertising which, through interventions and a constant crossover process, find a confluence in their specific intents. While the artistic act often exploits urban space for social or promotional purposes, trying to give more visibility to the city’s abandoned or deteriorating places, instead advertising exploits the city’s most visible spots for commercial purposes. But all over the years art and advertising have changed, too. Both have reinforced their connection with each other and both have borrowed tools from each other; in fact, today their parameters and strategies are mixed. The observer or the city user, who is often unaware of this ambiguous communication, frequently assimilates the message but confuses its real meaning.
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