{"title":"Jacopo Strada作为帝国建筑师:背景","authors":"D. Jansen","doi":"10.1163/9789004359499_007","DOIUrl":null,"url":null,"abstract":"As we have seen, Emperor Ferdinand i took Jacopo Strada into his service in the spring of 1558, but only early in 1560 Strada received a permanent appointment as ‘ainem paumaister, bey unnsern gebewen alhier, that is an architect for the projects Ferdinand undertook in Vienna. He received his salary as such without interruption (though often with great delays) until he asked Rudolf ii to be discharged from his court functions in 1579.1 The mere fact of this salary, which was double the amount he received as an antiquary, is sufficient reason to assume that he was expected to contribute regularly to the architectural projects of Ferdinand i and Maximilian ii. Before attempting a sketch of the extent and character of Strada’s contribution to these it is necessary, first to inquire into the needs and wishes of his patrons; secondly, to find out how the Imperial building activities were organized and what expertise was locally available; and thirdly, to define Strada’s exact qualifications in the field. Imperial patronage of architecture was wide-ranging: the more important part of it was utilitarian and chiefly of a military character, as is borne out by the fact that the various Imperial architects, including Strada, were paid by the Hofkriegszahlamt, the war office, rather than by the Hofkammer, which was responsible for the remuneration of most other court officials. Most of these architects, master-masons and other technicians were employed predominantly or even exclusively in Hungary, constructing fortifications against the Turks. This applies also to several of the architects we know to have been employed at court itself, either in Prague or in Vienna. But fortification, though of paramount importance, was not the only type of architecture commissioned by Ferdinand i. After its heroic resistance to the Turkish siege of 1529, Ferdinand had moved his court to Vienna in 1533. Apart from protecting his hereditary dominions from the permanent menace of the Turks, he had to adapt Vienna to its new status as Imperial residence. Moreover he had to provide for his sons who, when grown up, needed their own","PeriodicalId":176058,"journal":{"name":"Jacopo Strada and Cultural Patronage at The Imperial Court (2 Vols.) ","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Jacopo Strada as an Imperial Architect: Background\",\"authors\":\"D. 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Before attempting a sketch of the extent and character of Strada’s contribution to these it is necessary, first to inquire into the needs and wishes of his patrons; secondly, to find out how the Imperial building activities were organized and what expertise was locally available; and thirdly, to define Strada’s exact qualifications in the field. Imperial patronage of architecture was wide-ranging: the more important part of it was utilitarian and chiefly of a military character, as is borne out by the fact that the various Imperial architects, including Strada, were paid by the Hofkriegszahlamt, the war office, rather than by the Hofkammer, which was responsible for the remuneration of most other court officials. Most of these architects, master-masons and other technicians were employed predominantly or even exclusively in Hungary, constructing fortifications against the Turks. This applies also to several of the architects we know to have been employed at court itself, either in Prague or in Vienna. But fortification, though of paramount importance, was not the only type of architecture commissioned by Ferdinand i. After its heroic resistance to the Turkish siege of 1529, Ferdinand had moved his court to Vienna in 1533. Apart from protecting his hereditary dominions from the permanent menace of the Turks, he had to adapt Vienna to its new status as Imperial residence. 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引用次数: 0
摘要
正如我们所看到的,1558年春,斐迪南一世皇帝任用雅格布·斯特拉达为他服务,但直到1560年初,斯特拉达才被永久任命为“ainem paummaster, bey unnsern gebeen alhier”,也就是斐迪南一世在维也纳进行的项目的建筑师。在15791年,他要求鲁道夫二世解除他的宫廷职务之前,他一直没有中断过他的薪水(尽管经常有很大的延误)。这笔薪水是他作为古董收到的两倍,这一事实足以让人认为他被期望定期为费迪南德一世和马克西米利安二世的建筑项目做出贡献。在试图概述斯特拉达对这些贡献的程度和特征之前,有必要首先询问他的赞助人的需求和愿望;其次,了解帝国建筑活动是如何组织的,以及当地有哪些专业知识;第三,确定斯特拉达在该领域的确切资格。帝国对建筑的赞助范围很广:更重要的部分是功利的,主要是军事性质的,包括斯特拉达在内的各种帝国建筑师都是由战争办公室(Hofkriegszahlamt)支付的,而不是由负责大多数其他宫廷官员薪酬的霍夫卡默(Hofkammer)。这些建筑师、石匠大师和其他技术人员中的大多数主要或专门受雇于匈牙利,建造防御土耳其人的防御工事。这也适用于我们所知道的一些受雇于宫廷的建筑师,无论是在布拉格还是在维也纳。但是,虽然防御工事至关重要,但它并不是费迪南德一世委托建造的唯一建筑类型。1529年,费迪南德一世英勇地抵抗了土耳其人的围攻,1533年,费迪南德一世将他的宫廷搬到了维也纳。除了保护他的世袭领地免受土耳其人的永久威胁外,他还必须使维也纳适应其作为帝国住所的新地位。此外,他还得养活他的儿子们,他们长大后也需要自己的孩子
Jacopo Strada as an Imperial Architect: Background
As we have seen, Emperor Ferdinand i took Jacopo Strada into his service in the spring of 1558, but only early in 1560 Strada received a permanent appointment as ‘ainem paumaister, bey unnsern gebewen alhier, that is an architect for the projects Ferdinand undertook in Vienna. He received his salary as such without interruption (though often with great delays) until he asked Rudolf ii to be discharged from his court functions in 1579.1 The mere fact of this salary, which was double the amount he received as an antiquary, is sufficient reason to assume that he was expected to contribute regularly to the architectural projects of Ferdinand i and Maximilian ii. Before attempting a sketch of the extent and character of Strada’s contribution to these it is necessary, first to inquire into the needs and wishes of his patrons; secondly, to find out how the Imperial building activities were organized and what expertise was locally available; and thirdly, to define Strada’s exact qualifications in the field. Imperial patronage of architecture was wide-ranging: the more important part of it was utilitarian and chiefly of a military character, as is borne out by the fact that the various Imperial architects, including Strada, were paid by the Hofkriegszahlamt, the war office, rather than by the Hofkammer, which was responsible for the remuneration of most other court officials. Most of these architects, master-masons and other technicians were employed predominantly or even exclusively in Hungary, constructing fortifications against the Turks. This applies also to several of the architects we know to have been employed at court itself, either in Prague or in Vienna. But fortification, though of paramount importance, was not the only type of architecture commissioned by Ferdinand i. After its heroic resistance to the Turkish siege of 1529, Ferdinand had moved his court to Vienna in 1533. Apart from protecting his hereditary dominions from the permanent menace of the Turks, he had to adapt Vienna to its new status as Imperial residence. Moreover he had to provide for his sons who, when grown up, needed their own