伊兹丁的诗作中的沟通趋势和表现

أحمد علي محمد الصغير
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引用次数: 0

摘要

本文主要研究了诗人埃兹·埃尔-戴恩·埃尔-马纳斯拉警句中的悖论修辞。在此之前,将从理论上介绍El-Manasrah从20世纪60年代至今的诗歌生活和创作,以及他在阿拉伯世界的诗歌地位,他与签名/警句的关系,以及不同文学形式(希腊语、欧洲语和阿拉伯语)中的警句概念。本研究通过对埃兹·戴恩·埃尔·马纳斯拉警句的艺术解读,展示了悖论的各个方面(戏剧性的、说明性的、情境性的……)。研究认为,警句诗是阿拉伯诗歌的一种类型,它有自己的特点、标准和诗歌结构,与诗人的视野相融合。阿拉伯评论家使用了许多术语来分类这种类型的诗歌(一瞥诗-短诗-签名诗-警句诗)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
المنحى التواصلي وتمظهراته في شعر عز الدين المناصرة
This research is focused on the rhetoric of paradox in the epigrams of the poet Ezz El-Dein El-Manasrah. This is preceded by a theoretical introduction about El-Manasrah’s poetic life and production from the 1960s to the present as well as his poetic status in the Arab world, his relationship with signatures/epigrams and the concept of epigram in different forms of literature (Greek, European, and Arabic). The research demonstrates aspects of paradox (Dramatic, illustrative, situational...) through formulating an artistic approach to the reading of Ezz El-Dein El-Manasrah’s epigrams. The research concludes that the epigrammatic poem is a type of Arab Poetry, which has its traits, criteria and poetic structure blended with the poet’s visions. The Arab critics have used many terms to classify this type of poetry (Glance poem – Short poem – Signature poem – Epigram poem).
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