{"title":"超越“浪潮”#我也是:魁北克五年的女权主义音乐动员(2017 - 2022)","authors":"Vanessa Blais-Tremblay, Lysandre Champagne","doi":"10.7202/1096479ar","DOIUrl":null,"url":null,"abstract":"Th is article pro fi les fi ve organizations that have been advocating for equity in Que-bec music since 2017 : MTL Women in Music, Femmes* en Musique, Lotus collective MTL Coop, shesaid.so MTL and D!G Di ff érences et inégalités de genre dans la musique au Québec. In line with a long tradition of critical work in feminist his-toriography, the authors fi rst account for the diversity of feminist mobilizations in Quebec music beyond the # metoo “waves” which have received signi fi cant media attention over the past fi ve years ( 2017 – 2022 ). In the second part, the authors detail the development of the D!G network, a feminist collaborative research partnership launched in April 2021 by Vanessa Blais-Tremblay, and its contributions to both Quebec’s music industry and to feminist partnership research epistemologies and methodologies.","PeriodicalId":436553,"journal":{"name":"Intersections: Canadian Journal of Music","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Au-delà des « vagues » #moiaussi : cinq ans de mobilisation féministe en musique au Québec (2017–2022)\",\"authors\":\"Vanessa Blais-Tremblay, Lysandre Champagne\",\"doi\":\"10.7202/1096479ar\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Th is article pro fi les fi ve organizations that have been advocating for equity in Que-bec music since 2017 : MTL Women in Music, Femmes* en Musique, Lotus collective MTL Coop, shesaid.so MTL and D!G Di ff érences et inégalités de genre dans la musique au Québec. In line with a long tradition of critical work in feminist his-toriography, the authors fi rst account for the diversity of feminist mobilizations in Quebec music beyond the # metoo “waves” which have received signi fi cant media attention over the past fi ve years ( 2017 – 2022 ). In the second part, the authors detail the development of the D!G network, a feminist collaborative research partnership launched in April 2021 by Vanessa Blais-Tremblay, and its contributions to both Quebec’s music industry and to feminist partnership research epistemologies and methodologies.\",\"PeriodicalId\":436553,\"journal\":{\"name\":\"Intersections: Canadian Journal of Music\",\"volume\":\"4 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Intersections: Canadian Journal of Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7202/1096479ar\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Intersections: Canadian Journal of Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1096479ar","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
她说,这篇文章赞扬了自2017年以来一直在倡导魁北克音乐平等的五个组织:MTL音乐中的女性、Femmes* en musque、Lotus集体MTL Coop。所以MTL和D!gdi - ff是一种基于音乐的模数转换器,是一种基于音乐的模数转换器。根据女权主义历史研究的悠久传统,作者首先解释了魁北克音乐中女权主义动员的多样性,而不是过去五年(2017 - 2022年)受到媒体广泛关注的# metoo“浪潮”。在第二部分中,作者详细介绍了D!G网络,由Vanessa Blais-Tremblay于2021年4月发起的女权主义合作研究伙伴关系,以及它对魁北克音乐产业和女权主义伙伴关系研究认识论和方法的贡献。
Au-delà des « vagues » #moiaussi : cinq ans de mobilisation féministe en musique au Québec (2017–2022)
Th is article pro fi les fi ve organizations that have been advocating for equity in Que-bec music since 2017 : MTL Women in Music, Femmes* en Musique, Lotus collective MTL Coop, shesaid.so MTL and D!G Di ff érences et inégalités de genre dans la musique au Québec. In line with a long tradition of critical work in feminist his-toriography, the authors fi rst account for the diversity of feminist mobilizations in Quebec music beyond the # metoo “waves” which have received signi fi cant media attention over the past fi ve years ( 2017 – 2022 ). In the second part, the authors detail the development of the D!G network, a feminist collaborative research partnership launched in April 2021 by Vanessa Blais-Tremblay, and its contributions to both Quebec’s music industry and to feminist partnership research epistemologies and methodologies.