浅析基斯勒的创作风格

Y. K., Harashchak T.
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引用次数: 1

摘要

基斯勒的艺术不是基于形式、色彩和手段的理论;他的艺术不是评论社会状况的政治工具,他也不认为他的艺术是科学过程的产物,是包含绝对真理的结果。他相信他的艺术揭示了科学无法看到的真理,而真理是“核心”存在的关键。他认为他的过程和仪式受到了他人欺骗性信仰的攻击。“一种从温暖的怀抱中被偷走的复兴艺术,在赤裸中冻结,在额头的汗水中冷却,迫切需要一件新的斗篷,以免冻死。”Kiesler的环境和银河艺术,就像它无尽的建筑一样,是为迫切需要温暖的艺术提供的保暖衣服。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ANALYSIS OF THE GENRE PALETTE F. KIESLER’S CREATIVE ACTIVITIES
Kiesler’s art was not based on the theory of form, color, and means; his art was not a political instrument to comment on the state of society, and he did not consider his art to be the product of a scientific process, a result that contained a truth that was absolute. He believed that his art revealed a truth that science could not see, and that truth was the key to a “core” existence. He believed that his process and his ritual were attacked by the deceptive beliefs of others. “A revived art that has been stolen from a warm embrace, freezing in its nakedness, cooled by the sweat of its forehead, desperately needs a new cloak so as not to freeze to death.” Kiesler’s environmental and galactic art, like its endless architecture, was warm clothing for art that desperately needed warmth.
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