{"title":"近现代报刊传媒与战前新马汉诗","authors":"兵 王","doi":"10.24112/sinohumanitas.282046","DOIUrl":null,"url":null,"abstract":"LANGUAGE NOTE | Document text in Chinese; abstract also in English. 在1881年《叻報》創辦之前,新加坡和馬來西亞的漢詩創作無法進入公衆的視野。而在《叻報》創立至1941年底新馬淪陷前的60年間,新馬中文報紙的發展異常迅猛,陸續誕生的報紙計有《檳城新報》、《星報》、《天南新報》、《日新報》、《總匯新報》、《中興日報》、《南洋商報》、《星洲日報》等二十餘種。這些華文報紙,幾乎每一種都定期或不定期地登載舊體詩。因此,華文報刊的定位、副刊主編的喜好等也會影響到新馬漢詩的發展。同時,新馬地區這一時期出現的“新派詩”亦可視爲這一傳播載體影響下的産物。另外,就華文報刊對於傳統漢詩發展的意義而言,近現代華文報刊登載漢詩的意義不僅僅局限於提供傳播渠道和保存原始史料,更爲深層的價值在於詩人的創作成果從“私人領域”進入了“公共空間”,從而實現向廣大讀者傳達審美欣賞、文化再現和社會政治參與等層面的價值。 Han poetry (classical Chinese poetry) did not enter the sphere of the general public until the publication of Malaya’s first newspaper, Lat Pau, in 1881. In the 60 years of its publication history, from 1881 to late 1941 before the downfall of Singapore and Malaya, the Lat Pau witnessed a rapid, robust development of Chinese newspapers. Following this were the respective debuts of more than 20 newspapers, such as Penang Sin Poe, Sing Po, Thien Nan Shin Pao, Jit Shin Pao, Union Times, Chong Shing Yit Pao, Nanyang Siang Pau, and Sin Chew Jit Poh. These newspapers became important for the circulation of classical poetry, as some of them published poems on a periodic basis and some daily. Therefore, the status of Chinese journals and newspapers and preferences of the editors were decisive factors in the development of Malayan Han poetry. Meanwhile, the “new-style poetry” that emerged at this time may be seen as products of Chinese newspapers published at this time. Furthermore, the significance of publishing classical Chinese poetry in modern newspapers lies not only in the provision of communication channels and the preservation of original materials, but, more importantly, they brought the poets’ creative works from a “private sphere ” to the “public space,” and thereby conveyed to the reader the values of aesthetic appreciation, cultural reproduction, and social and political participation.","PeriodicalId":108589,"journal":{"name":"人文中國學報","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"近現代報刊傳媒與戰前新馬漢詩\",\"authors\":\"兵 王\",\"doi\":\"10.24112/sinohumanitas.282046\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"LANGUAGE NOTE | Document text in Chinese; abstract also in English. 在1881年《叻報》創辦之前,新加坡和馬來西亞的漢詩創作無法進入公衆的視野。而在《叻報》創立至1941年底新馬淪陷前的60年間,新馬中文報紙的發展異常迅猛,陸續誕生的報紙計有《檳城新報》、《星報》、《天南新報》、《日新報》、《總匯新報》、《中興日報》、《南洋商報》、《星洲日報》等二十餘種。這些華文報紙,幾乎每一種都定期或不定期地登載舊體詩。因此,華文報刊的定位、副刊主編的喜好等也會影響到新馬漢詩的發展。同時,新馬地區這一時期出現的“新派詩”亦可視爲這一傳播載體影響下的産物。另外,就華文報刊對於傳統漢詩發展的意義而言,近現代華文報刊登載漢詩的意義不僅僅局限於提供傳播渠道和保存原始史料,更爲深層的價值在於詩人的創作成果從“私人領域”進入了“公共空間”,從而實現向廣大讀者傳達審美欣賞、文化再現和社會政治參與等層面的價值。 Han poetry (classical Chinese poetry) did not enter the sphere of the general public until the publication of Malaya’s first newspaper, Lat Pau, in 1881. In the 60 years of its publication history, from 1881 to late 1941 before the downfall of Singapore and Malaya, the Lat Pau witnessed a rapid, robust development of Chinese newspapers. Following this were the respective debuts of more than 20 newspapers, such as Penang Sin Poe, Sing Po, Thien Nan Shin Pao, Jit Shin Pao, Union Times, Chong Shing Yit Pao, Nanyang Siang Pau, and Sin Chew Jit Poh. These newspapers became important for the circulation of classical poetry, as some of them published poems on a periodic basis and some daily. Therefore, the status of Chinese journals and newspapers and preferences of the editors were decisive factors in the development of Malayan Han poetry. Meanwhile, the “new-style poetry” that emerged at this time may be seen as products of Chinese newspapers published at this time. Furthermore, the significance of publishing classical Chinese poetry in modern newspapers lies not only in the provision of communication channels and the preservation of original materials, but, more importantly, they brought the poets’ creative works from a “private sphere ” to the “public space,” and thereby conveyed to the reader the values of aesthetic appreciation, cultural reproduction, and social and political participation.\",\"PeriodicalId\":108589,\"journal\":{\"name\":\"人文中國學報\",\"volume\":\"16 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"人文中國學報\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24112/sinohumanitas.282046\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"人文中國學報","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24112/sinohumanitas.282046","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
LANGUAGE NOTE | Document text in Chinese; abstract also in English. 在1881年《叻报》创办之前,新加坡和马来西亚的汉诗创作无法进入公众的视野。而在《叻报》创立至1941年底新马沦陷前的60年间,新马中文报纸的发展异常迅猛,陆续诞生的报纸计有《槟城新报》、《星报》、《天南新报》、《日新报》、《总汇新报》、《中兴日报》、《南洋商报》、《星洲日报》等二十余种。这些华文报纸,几乎每一种都定期或不定期地登载旧体诗。因此,华文报刊的定位、副刊主编的喜好等也会影响到新马汉诗的发展。同时,新马地区这一时期出现的“新派诗”亦可视为这一传播载体影响下的产物。另外,就华文报刊对于传统汉诗发展的意义而言,近现代华文报刊登载汉诗的意义不仅仅局限于提供传播渠道和保存原始史料,更为深层的价值在于诗人的创作成果从“私人领域”进入了“公共空间”,从而实现向广大读者传达审美欣赏、文化再现和社会政治参与等层面的价值。 Han poetry (classical Chinese poetry) did not enter the sphere of the general public until the publication of Malaya’s first newspaper, Lat Pau, in 1881. In the 60 years of its publication history, from 1881 to late 1941 before the downfall of Singapore and Malaya, the Lat Pau witnessed a rapid, robust development of Chinese newspapers. Following this were the respective debuts of more than 20 newspapers, such as Penang Sin Poe, Sing Po, Thien Nan Shin Pao, Jit Shin Pao, Union Times, Chong Shing Yit Pao, Nanyang Siang Pau, and Sin Chew Jit Poh. These newspapers became important for the circulation of classical poetry, as some of them published poems on a periodic basis and some daily. Therefore, the status of Chinese journals and newspapers and preferences of the editors were decisive factors in the development of Malayan Han poetry. Meanwhile, the “new-style poetry” that emerged at this time may be seen as products of Chinese newspapers published at this time. Furthermore, the significance of publishing classical Chinese poetry in modern newspapers lies not only in the provision of communication channels and the preservation of original materials, but, more importantly, they brought the poets’ creative works from a “private sphere ” to the “public space,” and thereby conveyed to the reader the values of aesthetic appreciation, cultural reproduction, and social and political participation.
LANGUAGE NOTE | Document text in Chinese; abstract also in English. 在1881年《叻報》創辦之前,新加坡和馬來西亞的漢詩創作無法進入公衆的視野。而在《叻報》創立至1941年底新馬淪陷前的60年間,新馬中文報紙的發展異常迅猛,陸續誕生的報紙計有《檳城新報》、《星報》、《天南新報》、《日新報》、《總匯新報》、《中興日報》、《南洋商報》、《星洲日報》等二十餘種。這些華文報紙,幾乎每一種都定期或不定期地登載舊體詩。因此,華文報刊的定位、副刊主編的喜好等也會影響到新馬漢詩的發展。同時,新馬地區這一時期出現的“新派詩”亦可視爲這一傳播載體影響下的産物。另外,就華文報刊對於傳統漢詩發展的意義而言,近現代華文報刊登載漢詩的意義不僅僅局限於提供傳播渠道和保存原始史料,更爲深層的價值在於詩人的創作成果從“私人領域”進入了“公共空間”,從而實現向廣大讀者傳達審美欣賞、文化再現和社會政治參與等層面的價值。 Han poetry (classical Chinese poetry) did not enter the sphere of the general public until the publication of Malaya’s first newspaper, Lat Pau, in 1881. In the 60 years of its publication history, from 1881 to late 1941 before the downfall of Singapore and Malaya, the Lat Pau witnessed a rapid, robust development of Chinese newspapers. Following this were the respective debuts of more than 20 newspapers, such as Penang Sin Poe, Sing Po, Thien Nan Shin Pao, Jit Shin Pao, Union Times, Chong Shing Yit Pao, Nanyang Siang Pau, and Sin Chew Jit Poh. These newspapers became important for the circulation of classical poetry, as some of them published poems on a periodic basis and some daily. Therefore, the status of Chinese journals and newspapers and preferences of the editors were decisive factors in the development of Malayan Han poetry. Meanwhile, the “new-style poetry” that emerged at this time may be seen as products of Chinese newspapers published at this time. Furthermore, the significance of publishing classical Chinese poetry in modern newspapers lies not only in the provision of communication channels and the preservation of original materials, but, more importantly, they brought the poets’ creative works from a “private sphere ” to the “public space,” and thereby conveyed to the reader the values of aesthetic appreciation, cultural reproduction, and social and political participation.