探索基于包装视觉元素的气味联想

Dorotea Kovačević, Dajana Kupres, Fran Šepat, M. Brozović
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引用次数: 1

摘要

以往的研究表明,包装设计可以影响人们对产品属性的期望。本研究通过调查消费者对香水包装上展示的各种图形设计的反应,探讨了包装视觉设计在呈现非视觉属性(即气味)方面的作用。特别是,目的是研究不同的视觉元素(如图案、照片和插图)如何影响产品选择、偏好和气味联想。136人参加了这项研究,男女人数大致相等。他们拿到了10个包装样品。样品的形状和大小相同,但视觉元素不同。实验结果证实,参与者将高度可识别的物体与他们的特定气味联系在一起。例如,柠檬图案与新鲜气味配对,玫瑰图案与花香配对。另一方面,当包装上呈现无气味物品时,参与者的反应并不一致。与气味范围最大的设计是带有人体照片的设计,搭配三种不同的香水类型(即花香、木香和东方香水)。当数据按性别划分时,结果表明男性更喜欢规则和清晰的视觉形状。另一个相关的发现是,对香水包装的感知会受到年龄的影响。年轻的参与者大多喜欢用抽象的视觉形状来展示香水。选择任务的结果表明,年轻的参与者比成熟的参与者对设计的变化更敏感。此外,他们将大多数包装设计与一种以上的气味联系起来。研究结果可以为成功的香水包装设计提供帮助,特别是当年轻消费者是主要目标受众时。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exploring odor associations based on packaging visual elements
Previous studies have shown that packaging design can influence people’s expectations regarding product attributes. This study explored the role of packaging visual design in presenting a nonvisual attribute (i.e. odor) by investigating consumers’ responses to various graphic designs displayed on perfume packaging. Particularly, the aim was to examine how different visual elements (such as patterns, photographs and illustrations) influence product choices, preferences and odor associations. 136 people participated in the study, with approximately equal numbers of males and females. They were presented with 10 packaging samples. The samples were of the same shape and size but with different visual elements. The results of the experiment confirmed that participants associated highly recognizable objects with their specific odors. For example, a lemon pattern was paired with a fresh smell, and an image of a rose was paired with a floral smell. On the other hand, when packaging presented odor-neutral objects, the participants’ responses were not uniform. The design which was associated with the largest range of smells was the one with a photograph of a human body, which was paired with three different perfume types (namely, floral, woody and oriental). When data were split by gender, the results suggested that men had a preference for regular and sharp visual shapes. Another relevant finding is that perception of perfume packaging can be influenced by age. Young participants mostly preferred abstract visual shapes for perfume presentations. The results of the choice task indicated that young participants were more sensitive to variations in design than mature participants. Furthermore, they associated most of the packaging designs with more than one type of smell. The findings can be useful for successful perfume packaging design, especially when young consumers are the main target audience.
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