多米尼克·盖格农

S. Macdonald
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引用次数: 0

摘要

这是对法裔加拿大人多米尼克·加格农(Dominic Gagnon)的第一次职业采访,他有争议的作品对发掘YouTube和类似网站为新的长片作品寻找原材料的历史上的新趋势做出了重要贡献。加格农被YouTube上那些尖锐的(通常很快就会被网站压制)帖子所吸引:阴谋论者的帖子,面临“世界末日”的青少年的帖子,以及最近的带有方向性关键词“北”和“南”的帖子。加格农的《北方》(2015)尤其具有挑衅性,因为它重复使用了加拿大北部土著居民的许多帖子。加格农的长篇视频生动、引人入胜,往往令人不安地展现了互联网“领地”的全景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dominic Gagnon
This is the first career interview with French Canadian Dominic Gagnon, whose controversial work has been a crucial contribution to a recent tendency within the history of found-footage film (or recycled cinema) of mining YouTube and similar sites to find raw material for new, feature-length works. Gagnon is drawn to YouTube postings that are edgy (and often quickly suppressed) by the host sites: postings by conspiracy theorists, teenagers facing “the end of the world,” and most recently postings garnered with the directional keywords “north” and “south.” Gagnon’s of the North (2015) has been particularly provocative, since it recycles many postings by indigenous individuals in the Canadian north. Gagnon’s feature-length videos are vivid, engaging, often troubling panoramas of internet “territories.”
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