"Atlantis of soviet art": paradigma post non-classikal

The fundamental work of Professor G. G. Dadamyan "Atlantis of Soviet Art" is an interdisciplinary university course. The scientist taught it for many years at the Russian Institute of Theater Arts (GITIS – the largest theater university in Europe, founded in 1878). This course was also a great success in other higher educational institutions. The materials of this unique research are regularly reproduced both at universities and at scientific conferences in memory of Professor Dadamyan, in Moscow. The author of this article has been cooperating with these institutions for many years, as well as with colleagues and students of the outstanding scientist. The article deals with the methodological approaches of the book by G.G. Dadamyan, which are fruitful and relevant for the interdisciplinary analysis of artistic culture. G. G. Dadamyan examines the period between 1917 and 1932 in the book "Atlantis of Soviet Art". He divides it into several paradigms. According to G. G. Dadamyan, each paradigm is based on the unity and interpenetration of political, genre, and space-time matrices. Proposed by G. G. The Dadamian methodology allows you to synchronize different aspects of culture. One of the goals of the proposed article is also to draw attention to the original methodology of G. G. Dadamyan. It allows us to compare the Russian avant-garde and socio-political processes in a multi-layered social time. In this article, the hypothesis is put forward that the paradigms, according to Dadamyan, are comparable with the natural-scientific approaches of post-non-classical studies. The unique concept of Professor G. G. Dadamyan deserves to be promoted on the world scientific podiums.