波兰音乐出版社在1989年面临体制变革,作为后共产主义国家文化转型的一个例子

K. Tyszka, Michał Jagosz
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引用次数: 0

摘要

体制转型使音乐报刊市场得到了显著的发展和多元化。垄断的清算、私有化、审查制度的废除和媒体多元化只是促成波兰新文化政策形成的一些因素。用于本文分析目的的研究材料包括波兰音乐杂志;根据对1946年至今出版的110多种期刊的查询,进行了历史和比较分析。它可以让出版商确定哪些新的解决方案开始付诸实践,使他们的杂志更有吸引力。此外,它还显示出市场的明显分化。89年后,流行音乐杂志开始盛行;也有许多专门针对特定主题的专业期刊。因此,结合音乐学、文化研究和新闻研究的边缘知识,从音乐新闻的角度来看待文化转型是一种创新的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries
The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make their magazines more attractive. Moreover, it showed a clear fragmentation of the market. After ’89, popular music magazines began to prevail; there are also many specialist journals devoted to a specific topic. A look at cultural transformation from the perspective of the music press is therefore an innovative idea, combining knowledge from the borderline of musicology, cultural studies, and press studies.
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