量子符号学及其在设计、建筑和艺术对象形成中的应用特点

R. Kosarevska, O. Levchenko, Y. Tretiak
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引用次数: 0

摘要

本文考虑了在设计、建筑和艺术领域定义量子符号学概念本质的主要方法。这项研究的相关性在于,量子符号学作为对人类心理活动算法进化变化的一种回应,正在现代世界逐渐获得一席之地。这种方法使我们能够感知当前现实的信息,并创造其替代版本,特别是在视觉艺术作品中。在本文中,量子符号学被认为是一个人根据量子互补原理(增强现实)感知周围世界的能力。人文学科的量子符号学方法使我们能够追踪真实的文化事实、事件、现象或对象转化为符号的过程,分析它们的语义内容和转化为符号的途径。相似的对象符号化过程是由于作者所设置的图像的数量,从不同的角度来感知,并且可以承载不同的意义,相互补充。对几件视觉艺术作品的研究和分析表明,形成和感知物体(作品)图像的量子符号学方法可以被认为是最高科学和理论方法的有机组成部分,即协同方法,除其他外,它可以选择人类认识世界的关键点。由于人类创造者——科学家或实践者——能够超越认知的事实,在他们的工作中使用跨学科的方法,特别是量子符号学的方法,观众可以感知他们周围的多层次世界,并在他们的脑海中想象它的多面平行。因此,被研究的事实形成了思想和概念,并且通常创造出只能由发送者和特定的接收者或全人类理解的信息。本文强调需要通过提出的量子符号学方法,将“量子符号学”概念引入设计、建筑和艺术领域的科学流通;讨论了量子符号学在设计、建筑和艺术领域的发展特点和策略,以及它在理论和实践中的应用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
QUANTUM SEMIOTICS AND FEATURES OF ITS APPLICATION TO THE FORMATION OF OBJECTS OF DESIGN, ARCHITECTURE AND ART
The article considers the main approaches to defining the essence of the concept of quantum semiotics in the field of design, architecture, and art. The relevance of the study lies in the fact that quantum semiotics is gradually gaining ground in the modern world as a kind of response to evolutionary changes in the algorithms of human mental activity. This approach allows us to perceive information about the current reality and create its alternative version, in particular, in works of visual art. In this paper, quantum semiotics is considered as the ability of a person to perceive the world around him according to the quantum complementarity principle (augmented reality). The quantum-semiotic approach in the humanities makes it possible to trace the transformation of real cultural facts, events, phenomena, or objects into signs, to analyze their semantic content and ways of transformation into symbols. Similar processes of object symbolization occur due to the number of images laid down by the author, perceived from different angles of view, and can carry different meanings that complement each other. The study and analysis of several examples of works of visual art suggest that the quantum-semiotic method of forming and perceiving the image of objects (works) can be considered an organic part of the highest scientific and theoretical approach, namely the synergetic one, which, among other things, makes it possible to choose key points of human knowledge of the world. Thanks to the ability of a human creator - a scientist or a practitioner - to go beyond the facts of cognition and use interdisciplinary methods in their work, in particular quantum-semiotic methods, viewers are allowed to perceive the multi-layered world around them, as well as imagine its multifaceted parallels in their minds. Thus, the studied facts form ideas and concepts, and in general create messages that can only be understood by the sender and a specific recipient, or by all of humanity. The paper emphasizes the need to introduce the concept of "quantum semiotics" into scientific circulation in the field of design, architecture, and art through the proposed quantum semiotic method; features and strategies for the development of quantum semiotics in design, architecture, and art, as well as its application in theory and practice, are considered.
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