“正常化”时代的苏联捷克文学研究(波希米亚学)

Irina A. Gerchikova
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引用次数: 0

摘要

本文的主题是1969-1989年“正常化”时期的苏联文学波希米亚风格,这是捷克斯洛伐克完全控制文化生活的时代,审美标准几乎完全从文学批评中消失,只有表达支持政权的作品才被翻译。它展示了苏联波西米亚人(I. Bernstein, L. Budagova, S. Nikolsky, N. Shulgina,列宁格勒集团:V. Kamenskaya, I. Inov, O. Malevich, I. Porochkina和其他人)如何试图呈现作家,所谓的“阴影地带”的代表,以及在审查,自我审查的困难条件下,为读者和所有对小而原始的捷克文学感兴趣的人创造的恐惧和怀疑,捷克文学给世界带来了伟大的作家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Soviet Literary Czech Studies (Bohemistics) in the Era of “Normalization”
The topic of the article is the Soviet literary Bohemistry of the period of «normalization», 1969-1989, the era of total control over cultural life in Czechoslovakia, when aesthetic criteria almost completely disappeared from literary criticism and only works that expressed support for the regime were translated. It shows how the Soviet bohemists (I. Bernstein, L. Budagova, S. Nikolsky, N. Shulgina, the Leningrad group: V. Kamenskaya, I. Inov, O. Malevich, I. Porochkina and others) tried to present authors, representatives of the so-called «shadow zone», and in difficult conditions of censorship, self-censorship, fears and doubts created for readers and all those interested in the idea of a small but original Czech literature, which gave the world great writers.
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