Оveruse音乐家的伤害。第一部分:发病、诊断

Оглядова Стаття
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引用次数: 0

摘要

50- 85%的器乐音乐家都会遇到过度使用损伤,表现为腱鞘炎、滑囊炎和隧道综合征,导致长期暂时丧失工作能力(严重者会导致永久性残疾)。对乌克兰来说,这个问题特别重要,原因有以下几点:首先,在过去十年中,没有对该国音乐家的职业疾病进行研究;第二,国内有非常多的音乐学校,但是没有一所学校教未来的音乐家如何预防职业病;第三,没有专门的医疗中心来治疗音乐家的专业病理。这项研究的目的是分析音乐家在诊断、治疗和预防应激性损伤方面的最新成就。该分析是根据2016-2020年发表在Scopus、WoS、Medline和PubMed科学数据库中索引的期刊上的研究进行的。已经确定,音乐家过度使用损伤的发病机制与一系列复杂的主要和次要因素有关。非生理性的表演技术是最重要的:在表演练习中不能均匀地分配肌肉上的负荷,以及不符合人体工程学的姿势。过度的练习时间同样有害:每天连续练习超过三个小时。严重的加重因素是:关节活动范围受损(活动过度或活动不足),肩带和脊柱肌肉的体力弱,手小,手指短(钢琴家和弦乐器演奏家),器乐音乐家(学生和教师)由于音乐教育体系的不完善而对职业病的预防意识不高。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Оveruse injuries in musicians. part i: etiopathogenesis, diagnostics
Overuse injuries are encountered by 50-85 % of instrumental musicians and manifest themselves in tendovaginitis, bursitis and tunnel syndromes, leading to long-term temporary loss of ability to work (and in severe cases, to permanent disability). For Ukraine, the problem is of particular relevance for several reasons: first, there have been no studies of the professional diseases of musicians in the country in the last decade; second, there are a very large number of music schools in the country, but none of them teaches future musicians how to prevent occupational diseases; thirdly, there are no specialized medical centres for the treatment of professional pathology of musicians. The aim of the research was to analyze the latest achievements in diagnosing, treating and preventing stress injuries in musicians. The analysis was performed by studies published in 2016-2020 in journals indexed in the Scopus, WoS, Medline and PubMed scientific databases. It has been established that the etiopathogenesis of overuse injuries in musicians is associated with a whole complex of primary and secondary factors. The non-physiological performing technique is of greatest importance: the inability to evenly distribute the load on the muscles involved in performing practice, as well as the non-ergonomic posture. Excessive playing duration is no less harmful: more than three hours of continuous practice every day. Serious aggravating factors are: impairment of range of joint movement (hyper- or hypomobility), weak physical strength of the muscles of the shoulder girdle and spine, a small hand with short fingers (for pianists and string players), and low awareness of instrumental musicians (both students and teachers) in the prevention of occupational diseases, due to the imperfection of the music education system.
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