Wahyudin Wahyudin, Nur Fajar Absor
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摘要

本文探讨了1981-1994年伊万·法尔斯的音乐生涯及其以社会批判为主题的歌曲,特别是以下层社会为主题的歌曲。本文的目的是解释伊万·法尔斯下层社会主题歌曲的歌词所包含的意义或内容,然后将其与当时的社会背景联系起来。本文采用了历史的方法,以描述分析的形式呈现,并利用新闻来源,磁带封面,报纸和杂志,照片和相关书籍。运用罗兰·巴特的符号学方法具体考察歌曲的歌词。根据收集到的事实,伊万·法尔斯是一个艺名,真名是维吉尼亚·法尔斯。小时候,他经常和他家后面村子里的穷孩子们一起玩。他在万隆的寄宿公寓开始认识音乐。他在1979年乡村音乐节上的成功让音乐工作室招募了伊万·法尔斯。除了音乐,他在1981年至1988年期间完成了13张专辑。伊万·法尔斯认为他的歌曲是他对社会观察的结果。从分析结果来看,伊万·法尔斯的歌曲有很多关于下层社会生活的内容。他对社会底层的偏爱与他贴近社会的生活背景是分不开的。关键词:台湾;下层社会;音乐产业
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MASYARAKAT KELAS BAWAH DALAM LIRIK LAGU-LAGU IWAN FALS (1981-1994)
Abstract This article discusses Iwan Fals' musical career and his songs with the theme of social criticism, especially songs with the theme of lower class society from 1981-1994. The purpose of this article is to explain the meaning or content contained in the lyrics of Iwan Fals' songs with the theme of lower class society which will then be linked to the context of society at that time. This article uses the Historical method which is presented in a descriptive-analytical form and utilizes news sources, cassette covers, newspapers and magazines, photos and relevant books. To examine the lyrics of the song specifically using the semiotic method of Roland Barthes. Based on the facts collected, Iwan Fals is a stage name and has the real name virgiawan listanto. As a child, he often played with poor children in the village behind his house. He began to recognize music from his boarding house in Bandung. His success in winning the 1979 Country Music Festival made Musica Studio recruit Iwan Fals. Together with musica he completed 13 albums between the period 1981-1988.Iwan Fals considers his songs are the result of his observations of society. From the results of the analysis, Iwan Fals' songs have a lot to say about the life of the lower class. His partiality to the lower class of society is inseparable from his background in life which is close to the community. Keywords: Iwan Fals, Lower Class Society, Music Industry, Semiotics
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