弗朗西斯·庞奇的风景世界

Dieu-merci KOUDINGA NIAMBA
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摘要

宇宙观(Cosmophany)是奥古斯丁·伯克(Augustin Berque)发展的景观介观理论的一个概念,它处理的是景观现实出现在主体上的方式。我们的研究,“庞吉诗歌中的景观宇宙观”,侧重于庞吉诗歌中景观的不同轨迹(感知)。在四篇诗歌文本的语库中,“Le lzard”,“Bords de mer”,“La Seine”和“Carnet du bois de pins”,我们将试图通过两种现代景观方法,奥古斯丁·贝尔克的mesology和米歇尔·科洛的景观思维,阐明景观的三重构成和庞格的抒情更新。本文将展示景观的概念如何伴随着一种新的生活分类。关键词:弗朗西斯·庞格,宇宙观,风景,诗学,抒情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cosmophanie paysagère chez Francis Ponge
Cosmophany is a concept from the mesological theory of landscape developed by Augustin Berque, which deals with the ways in which a landscape reality appears to a subject. Our study, « Landscape cosmophany in Ponge's poetry », focuses on the different trajections (perceptions) of landscape in Ponge's poetry. In a corpus of four poetic texts, 'Le lézard', 'Bords de mer', 'La Seine' and 'Carnet du bois de pins', we will attempt to elucidate the threefold constitution of landscape and Ponge's lyrical renewal through two modern approaches to landscape, Augustin Berque's mesology and Michel Collot's landscape-thinking, This article sets out to show how the notion of landscape is accompanied by a new categorisation of living. Keywords: Francis Ponge, cosmophany, landscape, mesology, lyricism.
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