{"title":"西尔万·普鲁多姆(Sylvain Prudhomme)的《l’imprint a crusoe》(2012)和帕特里克·查瓦索(Patrick Chamoiseau)的《l’imprint a crusoe》(2010)","authors":"M. Bataillé","doi":"10.4467/23538953ce.22.015.16503","DOIUrl":null,"url":null,"abstract":"The print of forgetfulness in L'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau\n\nL'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau invest the ‘robinsonade’ genre with a renewed thought on memory and forgetfulness. These stories have the particularity of enriching the thematic and philosophical treatment of forgetfulness with a literary approach, in the light of the mythical legacy in which they are involved. Forgetfulness constitutes an initiatory threshold, desired in Prudhomme's case or endured in Chamoiseau's, thanks to which the main characters discover or rediscover themselves. Above all, the two stories have a strong specular dimension used to think on the weight of literary legacy in scriptural work.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"68 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"L’empreinte de l’oubli dans L’Affaire Furtif (2010) de Sylvain Prudhomme et L’Empreinte à Crusoé (2012) de Patrick Chamoiseau\",\"authors\":\"M. Bataillé\",\"doi\":\"10.4467/23538953ce.22.015.16503\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The print of forgetfulness in L'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau\\n\\nL'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau invest the ‘robinsonade’ genre with a renewed thought on memory and forgetfulness. These stories have the particularity of enriching the thematic and philosophical treatment of forgetfulness with a literary approach, in the light of the mythical legacy in which they are involved. Forgetfulness constitutes an initiatory threshold, desired in Prudhomme's case or endured in Chamoiseau's, thanks to which the main characters discover or rediscover themselves. Above all, the two stories have a strong specular dimension used to think on the weight of literary legacy in scriptural work.\",\"PeriodicalId\":133418,\"journal\":{\"name\":\"Cahiers ERTA\",\"volume\":\"68 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cahiers ERTA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4467/23538953ce.22.015.16503\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cahiers ERTA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4467/23538953ce.22.015.16503","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
L’empreinte de l’oubli dans L’Affaire Furtif (2010) de Sylvain Prudhomme et L’Empreinte à Crusoé (2012) de Patrick Chamoiseau
The print of forgetfulness in L'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau
L'Affaire Furtif (2010) by Sylvain Prudhomme and L'Empreinte à Crusoé (2012) by Patrick Chamoiseau invest the ‘robinsonade’ genre with a renewed thought on memory and forgetfulness. These stories have the particularity of enriching the thematic and philosophical treatment of forgetfulness with a literary approach, in the light of the mythical legacy in which they are involved. Forgetfulness constitutes an initiatory threshold, desired in Prudhomme's case or endured in Chamoiseau's, thanks to which the main characters discover or rediscover themselves. Above all, the two stories have a strong specular dimension used to think on the weight of literary legacy in scriptural work.
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