用户对互动数码展品和学习体验的感知

Juliana A. Abubakar, M. Mahmud, P. S. Jahnkassim
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引用次数: 1

摘要

本研究旨在探讨参观者对互动数码展览(IDE)学习文化遗产与历史的观感。它进一步确定了IDE可以帮助改善游客在参观历史和文化遗产机构期间的学习体验的可能方法。本研究选择了四个相关机构:Taman Tamadun Islam (TTI)和马来西亚建筑博物馆(AMM),它们通过大型复制品展示了过去文明的建筑奇迹;以及致力于保护和保存国家遗产和历史的国家博物馆(NM)和历史和民族志博物馆(MHE)。TTI和NM有足够的一般资讯科技基础设施,并在其展览厅内设有数码展品。AMM和MHE的数字展品较少,大多数展品由海报、人工制品和复制品组成。在本研究中,我们以访谈的方式进行了一项调查,311名受访者同时也是这四所机构的访客。这项研究的结果表明,大多数游客普遍认为使用IDE可以方便地获取有关国家历史和文化遗产的信息。他们建议使用IDE作为解释方法,以使国家历史和文化遗产更具吸引力。有趣的是,当涉及到可用的展览技术时,根据这些机构的性质,参观者对IDE的偏好比传统的展览方式有所不同。这些发现反映了博物馆的参观者欢迎使用IDE,但仍然欣赏真正的人工制品的美学价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
User perception on interactive digital exhibits and learning experience
This study aims to investigate visitor perception on the interactive digital exhibits (IDE) for learning cultural heritage and history. It further identifies possible ways IDE may help in order to improve visitor learning experience during their visit to historical and cultural heritage institutions. Four related institutions were selected in this study: Taman Tamadun Islam (TTI) and Architectural Museum Malaysia (AMM) which display architectural wonders of past civilizations by means of large replicas; as well as National Museum (NM) and Museum of History and Ethnography (MHE) which are dedicated to safeguarding and preserving the national heritage and history. TTI and NM have adequate general information technology infrastructure and digital exhibits are installed in their exhibition halls. AMM and MHE have less digital exhibits and most exhibits consist of a mixture of posters, artefacts, and replica. During this study, a survey was conducted by means of interview with 311 respondents who are also visitors to these four institutions. The findings of this study suggest most visitors perceived the use of IDE in general will allow easy access to information on national history and cultural heritage. They recommended IDE to be used as interpretation methods in order to make national history and cultural heritage more attractive. Interestingly, when it comes to available exhibition techniques, visitors vary their preferences on IDE over traditional means of exhibits according to the nature of these institutions. These findings reflect that museum visitors welcome the use of IDE and nevertheless appreciate the aesthetic values of real artefacts.
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