弹性与抵抗的实践:“我们可以阻止唐纳德·特朗普”以及来自移民儿童的其他信息

S. R. Vega
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引用次数: 5

摘要

2018年,反移民言论、政策和执法不断出现。最近,特朗普将移民儿童称为“未来的罪犯”,他们需要被关押在类似监狱的拘留中心和“幼龄设施”中(Min Kim, 2018)。与此同时,由于这种以执法为中心的政治体制,已经在美国的450万移民子女继续面临家庭分离的可能性(Suárez-Orozco et al., 2015)。这篇文章的目的是提供对美国移民儿童中最脆弱和增长最快的群体之一的生活的洞察。作为一名研究人员和教育工作者,我开发了一种以艺术为中心的方法和教学工具,可以为那些从事移民儿童和弱势群体工作的人服务。在两年多的时间里,我使用绘画、故事板、坎佩西诺剧院(Teatro Campesino)的演员等艺术工具,以及《被压迫的剧院》(Boal, 2000)中的各种技术,与洛杉矶六年级英语学习者(ELL)班的移民儿童一起工作。通过他们作品中的教育、艺术和轶事成分,这些孩子创造了一个可以抵抗和对抗特朗普的世界,并通过利用艺术的变革想象来分享胜利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Praxis of Resilience & Resistance: “We can STOP Donald Trump” and Other Messages from Immigrant Children
In 2018 there have been constant anti-immigrant rhetoric, policies, and enforcement. Most recently, Trump referred to immigrant children as “future criminals” who needed to be kept in prison-like detention centers and “tender age facilities” (Min Kim, 2018). Meanwhile, the 4.5 million children of immigrants already in the US continue to face possibilities of family separation due to this enforcement-focused political system (Suárez-Orozco et al., 2015). The goal of this article is to provide insight into the lives of one of the most vulnerable and fastest growing populations in the U.S.—immigrant children. As a researcher and educator, I developed an art-centered methodological and pedagogical tool that can serve those working with immigrant children and vulnerable populations. Over a two-year period, I used artistic tools such as drawings, storyboards, Teatro Campesino’s actos, and various techniques from Theater of the Oppressed (Boal, 2000) to work with children of immigrants in a sixth-grade class of English Language Learners (ELL) in Los Angeles. Through educational, artistic, and anecdotal components of their work, these children created a world where they could resist and fight Trump and share that victory by utilizing the transformative imaginary of art.
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