加纳的创新创业系统功能失调

R. Kilu, M. Sanda, Lilian Ama Afun, Anna Alacovska
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引用次数: 1

摘要

本文旨在在加纳的背景下产生关于创意产业的知识,这将推动对创意创业的理解,并形成关于创意创业功能失调系统的理论。加纳的创意艺术产业可能是最古老的产业:我们的祖先跳舞、表演戏剧、演奏音乐、制作精美的工艺品和工艺品,并创造精美的服装。加纳的创意艺术从萨瓦纳和加纳北部的罩衫编织、木琴和葫芦制作中心,到邦维尔和阿格博佐姆的肯特编织者;从亚威亚和亚布里的木雕,到亚达和索马利亚的制珠人。然而,人们对加纳创意产业的功能失调知之甚少。正是在这种背景下,本研究试图探索加纳创意创业的功能失调系统。采用定性方法的实证研究设计。数据收集采用了访谈、焦点小组讨论和讲习班。结果表明,创意产业是可持续和包容性经济增长的功能性引擎,它创造了体面的就业机会,并导致可持续发展。然而,研究结果显示,在创意企业家中存在着一种功能失调的系统,表现为政府和投资者支持相关的挑战,缺乏创意能力建设和研究,监管创意活动的不利政策,以及对加纳文化缺乏欣赏。目前的研究产生了关于加纳创造性创业的功能和功能失调系统的新的经验和理论知识。有人暗示说;经济挑战时期的特点是创造性创业在生存中起着关键作用。这意味着,在推动创新、经济增长和福利方面,除了对创造就业机会的影响外,全行业的合作伙伴关系是发挥重要作用的关键。因此,创新和创造性创业被认为是现代加纳经济发展的关键因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The dysfunctional systems of creative entrepreneurship in Ghana
This paper aim at generating knowledge on creative industries in a Ghanaian context, which drive understanding of creative entrepreneurship forward and shape theorization on dysfunctional systems of the creative entrepreneurship. Ghana’s Creative Arts Industry is perhaps the oldest industry: our forefathers danced, had theatre, played music, made amazing crafts and artifacts and created fine garments. Ghana’s Creative Arts span from smock weaving, xylophone and calabash making centers in Savanah and Northern Ghana to kente weavers of Bonwire and Agbozome; and from wood carving at Ahwia and Aburi to the bead makers at Ada and Somanya. However, little is known about the dysfunctional systems of the creative industry in Ghana. It is against this backdrop that this study seeks to explore the dysfunctional systems of creative entrepreneurship in Ghana. An empirical research design with qualitative approach was used. Interviews, Focus Group Discussions and Workshops were used for the data collection. The results showed the creative industry is a functional engine for sustainable and inclusive economic growth, it creates decent jobs and lead to sustainable development. The results however showed a system of dysfunctions among the creative entrepreneurs in a form of government and investor support related challenges, a lack of creative capacity building and research, unfavorable policies to regulate creative activities and the lack of appreciation for Ghanaian culture. The current study generated novel empirical and theoretical knowledge on both functional and dysfunctional systems of creative entrepreneurship in Ghanaian context. It is intimated that; periods of economic challenges are characterized with creative entrepreneurship playing key survival roles. This implies industry wide partnerships is key to have a salient role in driving innovation, economic growth, and welfare, in addition to their effect on job creation. Therefore, innovative and creative entrepreneurship is considered key factor in modern Ghanaian economic development.
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