设计未来

Jonathan B. Fenderson
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引用次数: 0

摘要

本章探讨了霍伊特·富勒作为《黑人文摘》主编的工作,《黑人文摘》是约翰逊出版公司(JPC)出版的几本杂志之一。它讲述了该杂志在根深蒂固的黑人民族主义的复兴以及与非裔美国人艺术,智力工作和社会行动主义相关的新思维和组织模式的出现中的核心作用。通过记录杂志所有者约翰·h·约翰逊(John H. Johnson)和杂志编辑富勒(Fuller)之间紧张的职业关系,这一章阐明了新兴的黑人民族主义者群体与更成熟的非裔美国自由主义者精英阶层之间的种族斗争。这种斗争被富勒完美地概括为他所认为的JPC的资产阶级黑人政治的破坏。通过将“黑人”作为JPC主导话语的反击,富勒将《黑人文摘》作为一种有影响力的印刷机制,在非裔美国人的另类政治的生产和扩大中发挥作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Designing the Future
This chapter explores Hoyt Fuller’s work as the lead editor of Negro Digest, one of several magazines produced by Johnson Publishing Company (JPC). It recounts the magazine’s centrality to both the resurgence of a popularly rooted Black nationalism and the associated emergence of new modes of thinking and organizing as it related to African American art, intellectual work, and social activism. By chronicling the strained professional relationship between the magazine owner, John H. Johnson, and Fuller, the magazine’s editor, the chapter illuminates the intraracial struggle between an emergent group of Black nationalists and a more established elite class of African American liberals. This struggle was perfectly encapsulated in Fuller’s efforts to undermine what he deemed as the bourgeois Negro politics of JPC. By advancing “Black” as a counter to JPC’s dominant discourse, Fuller used Negro Digest as an influential print mechanism in the production and amplification of an alternative politics for African Americans.
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