20 - 30年代民族主义出版社的新父权计划

O. Khamedova
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Their journalists constructed an idea of militaristic masculinity as a normative and used the following techniques: modeling a warrior’s image through comparison with a foreign model of normative masculinity, the narratives about dangerous actions and martyrdom of nationalist heroes, popularization of sport and physical hardness aimed at training of youth generation for the upcoming liberation war. The nationalists tried to deny the achievements of the Ukrainian feminist movement, in particular “Soiuz Ukraiinok”/”Union of Ukrainian Women”, had the fierce ideological discussions with the leadership of this organization on the pages of their publications.\n\nA woman was represented as a resource in terms of underground struggle against the invaders and in terms of the upcoming national liberation war. However, there were extremely few materials in which the heroines (actants) were women. 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摘要

本文主要研究二十世纪二三十年代乌克兰新闻界的意识形态与性别互动问题。本文以两次世界大战之间二十年的民族主义期刊为研究对象。这项研究的目的是确定传播话语影响和构建性别模式的技术,同时考虑到出版物的意识形态载体。本文选择的研究方法是将批判话语分析方法与女性主义批评相结合,将文本置于“支配/从属”的语境中进行分析。研究结果。民族主义出版物在20世纪20- 30年代前夕不断恢复乌克兰西部社会的父权价值观。他们的记者构建了一种军国主义男子气概的观念作为一种规范,并使用了以下技巧:通过与外国规范男子气概模型的比较来塑造战士的形象,讲述民族主义英雄的危险行为和殉难,普及体育和身体硬度,旨在为即将到来的解放战争训练年轻一代。民族主义者试图否认乌克兰女权运动,特别是“乌克兰妇女联盟”的成就,在其出版物的页面上与该组织的领导人进行了激烈的意识形态讨论。在抵抗侵略者的地下斗争和即将到来的民族解放战争中,妇女被视为一种资源。然而,很少有女主角(演员)是女性的材料。民族主义报刊中的女主人公被赋予了三种功能:生物功能、象征功能和意识形态功能。在这些材料中,仍然把妇女列为激进团体、军事或政治行动的成员,她们的贡献被贬低和隐瞒。Сonclusions的研究。男权神话在20世纪20年代至30年代的民族主义报刊上复活了。根据民族主义者的说法,社会的父权结构最适合于意识形态任务,以便为乌克兰人进行长期的民族解放斗争做好准备。研究的相关性。通过对意识形态与性别互动机制的理解,我们可以看到权力-媒介-社会范式中的相互联系,这是现代媒介研究的重要问题之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Neopatriarchal Project of Nationalistic Press of the 1920s-1930s
The article focuses on the problem of interaction between ideology and gender in the Ukrainian press of the 1920s-1930s. The object of the study is the nationalistic periodical publications in the interwar two decades period. The objective of the study is to ascertain the techniques of dissemination of discursive impact and construction of gender models, taking into account the ideological vector of a publication. The chosen research methodology is synthesis of critical discourse-analytical approach with feminist criticism, which allows to analyze the texts in the context of “domination/subordination”. Results of the study. The nationalistic publications consistently restored the patriarchal values in the western Ukrainian society on the eve of the 1920-1930’s. Their journalists constructed an idea of militaristic masculinity as a normative and used the following techniques: modeling a warrior’s image through comparison with a foreign model of normative masculinity, the narratives about dangerous actions and martyrdom of nationalist heroes, popularization of sport and physical hardness aimed at training of youth generation for the upcoming liberation war. The nationalists tried to deny the achievements of the Ukrainian feminist movement, in particular “Soiuz Ukraiinok”/”Union of Ukrainian Women”, had the fierce ideological discussions with the leadership of this organization on the pages of their publications. A woman was represented as a resource in terms of underground struggle against the invaders and in terms of the upcoming national liberation war. However, there were extremely few materials in which the heroines (actants) were women. The heroines in the nationalistic press were endued with three functions: biological, symbolic and ideological. In those materials, which still covered the women as the members of militant groups, military or political actions, their contribution was diminished and consealed. Сonclusions of the study. The patriarchal myth was revivaled on the pages of the nationalistic press of the 1920-1930s. According to nationalists the patriarchal structure of society served best the ideological tasks in order to prepare the Ukrainians for a long national liberation struggle. Relevance of the study. Understanding the mechanisms of interaction between ideology and gender gives an idea of interconnections within the power-media-society paradigm, which is one of the most significant issues of the modern media researches.
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