Science Fiction Re-Visioned: Posthuman Gothic in Philip K. Dick’s Electric Dreams

In this essay, I analyse two episodes from the recent television series, Philip K. Dick’s Electric Dreams. I contend that, by adapting Philip K. Dick’s short stories from the 1950s for the screen, the creators of “Impossible Planet” and “The Commuter” offer an important new perspective from which to appreciate the value of his early fiction, which is too often dismissed by critics as juvenilia. Moreover, by re-visioning Dick’s work as posthuman Gothic narratives, the episodes refract long-standing Gothic anxieties about alterity and (post)human existence through a lens that is more often associated with science fiction. This hybridization is instrumental to Philip K. Dick’s Electric Dreams’ interrogation of the paradigmatic binaries between life/death, interiority/exteriority and reality/virtuality. In my analysis, I use Rosi Braidotti’s theory of posthuman death, as well as Roger Luckhurst’s concept of Weird zones, to illuminate how Electric Dreams explores some of the existential issues that arise from human-technological imbrication.