WORLD TREE, FERTILITY SYMBOLS AND STATUS SYMBOLS IN THE TRADITIONAL RESIDENTIAL ARCHITECTURE OF THE CENTRAL BUDZHAK

Talk about the rich arsenal of decorative and artistic variations in the traditional living architecture, consider the symbolism originated in the traditions. The decorative equipment of residential buildings is determined by the indicator of the quality and originality of the glorification of the national culture, which will support the relevance of the development of cultural development and illumination of symbols. About the formulation of architectural and artistic plastics of facades and a look through the prism of architectural symbolism, about reading the information code embedded in symbols, is known in the monographs of A.O. Kadurinа. The creation of links between elements of ornamental motifs, as well as visual and morphological regularities - in the scientific works of I.A. Yurchenko. Problems of ethnic self-identification in the multicultural space and the root of art methods in the architectural design of the middle ground - the article of O.M. Tyurikova. Purpose of the article: to conduct a detailed and comprehensive analysis of symbol complexes in the traditional architecture of central Budzhak: the tree of the world, symbols of fertility and status. The image of the tree of the world and the symbols of natural elements (sun, water, earth, midwife) immediately formed a group of symbols of the universe (65.2%). Prior to the symbols of fertility (28.3%), the following are included: fruit, steams, wheat, grapes, kits, garlands of leaves, kits and fruits, vases with kits and fruits. Status symbols (6.5%): heraldic lines, cartouches with initials and the date the house was built. People's majstri introduced the first and most important ideas of the establishment of the world, the greatness of the ministers of Vsesvit, as well as the power of natural forces. The presentation of the decorative and artistic features of various symbols and symbols in the traditional architecture of central Budzhak encourages design with elements of ethno-art traditions. The location of the symbols (the tree of peace, symbols of fertility and status), both on the house itself and in the middle of the estate, is determined by the idea, meaning, as well as constructive and compositional features.