《空气·玛塔·苏尔加》电影中社区对一夫多妻制实践的接受

Karkono Karkono, B. Sudardi, Istadiyantha Istadiyantha, T. Pitaña
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引用次数: 0

摘要

伊斯兰教全面规范一夫多妻制。一夫多妻制是非常神圣的,因为它与宗教教义有关。然而,如果一夫多妻制进入世俗的领域,它的神圣性就会改变。当一夫多妻制在电影中成为一种商品的主题时,它已经将一夫多妻制从神圣的领域转移到了世俗的世界。制作电影是为了产生利润。电影《Air Mata Surga》中一夫多妻制的商品化提出了一些有待进一步探讨的问题。在这部电影中,对一夫多妻制的接受程度及其对社会的影响是需要回答的重要问题。为了解决这个问题,我们使用了布迪埃提出的习惯理论。问卷调查和访谈法也被采用。研究结果表明,电影中描绘的一夫多妻制向观众提供了另一种微妙的肯定,即在某些情况下,一夫多妻制是无法避免的,一夫多妻制并不总是与媒体所建立的一样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Community Reception Towards Poligamy Practice in Film of Air Mata Surga
Islam regulates polygamy comprehensively. Polygamy is very sacred because relates to religious teachings. However, the sacredness of polygamy can shift if it enters the profane realm. When polygamy becomes a commodity as the main theme in the film, it has shifted polygamy from the sacred domain to the profane world. Films are produced to generate profits. Commodification of polygamy in the movie Air Mata Surga raises questions to be explored further. How the reception and what its implications for society against polygamy in this film are important questions to answer. To dismantle this, the Habitus theory developed by Bourdiue was used. The questionnaire and interview method are also used. The results of the study show that polygamy depicted in the film provides a different subtle affirmation to the audience that polygamy in certain situations cannot be avoided and polygamy is not always the same as what the media has built.
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