在Billie eilish o 'connell和finneas o 'connell中,隐喻作为社会批判的使用是所有的好女孩都下地狱,坏男孩都下地狱

Hagung Yudistiro Utomo, H. Suharyati, Sari Rejeki
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引用次数: 0

摘要

本研究旨在识别Billie Eilish O ' connell和Finneas O ' Çonnel的歌曲《All the good girls go to hell》和《Bad Guy》中隐喻作为社会批评的使用。本研究采用描述性定性研究方法。两首歌中的所有隐喻都表明,比较或相似的模式是形式与外观的模式、结构、功能和空间与时间的模式。此外,基于社会问题的社会批评的分类是与心理健康和环境问题有关的问题。隐喻在歌词中不仅是一种将字面意义与非字面意义进行比较或等同的媒介,而且也是一种传递社会批判的媒介。关键词:比喻语言;隐喻;歌;社会批评。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE USE OF METAPHORS AS SOCIAL CRITICISM IN BILLIE EILISH O’CONNELL AND FINNEAS O’CONNELL’S ALL THE GOOD GIRLS GO TO HELL AND THE BAD GUY
This study is aimed to identify the use of metaphors as social criticism in the songs All the good girls go to hell and Bad Guy by Billie Eilish O’Connel and Finneas O’Çonnel. The research approach in this study is descriptive qualitative. All the metaphors in the two songs indicate that the pattern of comparison or similarity is patterns of form and appearance, position in structure, function, and space and time. Furthermore, the classification of social criticism based on social problems are matters related to mental health and environmental issues. Metaphor functions not only as a medium for comparing or equating literal meaning with non-literal meaning, but it also functions as a medium for conveying social criticism in song lyrics.Keywords: figurative language; metaphor; song; social criticism.
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