{"title":"俄罗斯人:米哈伊尔·涅斯捷罗夫的精神景观","authors":"Abbott Gleason","doi":"10.1177/096746080000700304","DOIUrl":null,"url":null,"abstract":"The career of the Russian painter Mikhail Nesterov suggests the particular way in which Russian modernism was affected both by the unusually literary nature of the dominant pre-modern tendencies in Russian art and also by religio-political preoccupations, which were stronger in Russia than elsewhere in Europe. His experience also gives a fascinating example of how even a painter deeply hostile to the Russian Revolution of 1917 could regroup and continue his career.","PeriodicalId":104830,"journal":{"name":"Ecumene (continues as Cultural Geographies)","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2000-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"Russkii inok: the spiritual landscape of Mikhail Nesterov\",\"authors\":\"Abbott Gleason\",\"doi\":\"10.1177/096746080000700304\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The career of the Russian painter Mikhail Nesterov suggests the particular way in which Russian modernism was affected both by the unusually literary nature of the dominant pre-modern tendencies in Russian art and also by religio-political preoccupations, which were stronger in Russia than elsewhere in Europe. His experience also gives a fascinating example of how even a painter deeply hostile to the Russian Revolution of 1917 could regroup and continue his career.\",\"PeriodicalId\":104830,\"journal\":{\"name\":\"Ecumene (continues as Cultural Geographies)\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2000-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ecumene (continues as Cultural Geographies)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/096746080000700304\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ecumene (continues as Cultural Geographies)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/096746080000700304","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Russkii inok: the spiritual landscape of Mikhail Nesterov
The career of the Russian painter Mikhail Nesterov suggests the particular way in which Russian modernism was affected both by the unusually literary nature of the dominant pre-modern tendencies in Russian art and also by religio-political preoccupations, which were stronger in Russia than elsewhere in Europe. His experience also gives a fascinating example of how even a painter deeply hostile to the Russian Revolution of 1917 could regroup and continue his career.
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