王室遗体和阿卡德雕像的遗产

Melissa Eppihimer
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引用次数: 0

摘要

尽管由于阿卡德王室雕像的残缺状况,现代学术界对它的认识很慢,但后阿卡德统治者以各种方式回应阿卡德国王的献祭雕像。古迪亚(Gudea of Lagash)、乌尔(Ur)第三王朝的国王、马里(Mari)和埃什努纳(Eshnunna)统治者的雕像,从公元前三世纪末到公元前二千年初,复制了特定的阿卡德雕塑特征,以模仿、批评或与该王朝联系在一起。其他雕像,如来自阿舒尔的雕像,可能与卡西特国王有关,以及与苏萨的普祖尔-因舒什纳克有关的雕像,与阿卡德的模型非常相似,以至于无法确定它们是阿卡德的雕像还是新制作的复制品。本章探讨了导致统治者篡夺或模仿阿卡德皇家雕像的情况。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Royal Bodies and the Legacy of Akkadian Statues
Although modern scholarship has been slow to recognize it because of the fragmentary condition of Akkadian royal statues, post-Akkadian rulers responded to the votive statues of the Akkadian kings in a variety of ways. The statues of Gudea of Lagash, the kings of the Third Dynasty of Ur, and rulers of Mari and Eshnunna from the late third and early second millennia BCE replicate specific Akkadian sculptural features in order to emulate, critique, or affiliate with the dynasty. Other statues, such as a statue from Ashur possibly connected to a Kassite king and statues associated with Puzur-Inshushinak of Susa, resemble the Akkadian models so closely that it cannot be determined if they are appropriated Akkadian statues or newly produced imitations. This chapter explores the circumstances that would have led the rulers to usurp or closely imitate an Akkadian royal statue.
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