POJA舞的重建是指东方国家的布吉舞社区

Khairul Anuar Zainudin, M. Samsuddin
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引用次数: 0

摘要

1988年发展和创造的传统雪兰莪族“Poja”舞蹈是一种经过舞蹈重建的遗产艺术。重建与印度尼西亚南苏拉威西岛的“Pakurru Sumange”舞蹈有关。Kaeppler的重建方法(2007)表明,“Poja”舞蹈中的符号作为布吉纳社区的代表而发挥作用。该研究还基于Hobsbawm(1983)和Shill(1981)的创作和传统理论,以了解涉及雪兰莪州Bugis社区传统的舞蹈的两个方面之间的关系。总之,这两个过程都详细描述了舞蹈的发展,因此使其身份与雪兰莪州的Bugis社区联系在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
REKONSTRUKSI STRUKTUR TARIAN POJA BERIDENTITIKAN MASYARAKAT BUGIS DI NEGERI SELANGOR
The development and creation of the traditional Selangor Buginese “Poja” dance in 1988 is a heritage art that has undergone dance reconstruction. The reconstruction is linked to the “Pakurru Sumange” dance in South Sulawesi, Indonesia. Kaeppler’s approach to reconstruction (2007) shows that symbols in the “Poja” dance function as a representation of the Buginese community. The study is also based on the theory of creation and tradition by Hobsbawm (1983) and Shill (1981) to understand the relationship between the two aspects of dance involving the traditions of the Bugis community in Selangor. In conclusion, both processes detail the dance’s development, therefore allowing its identity to be linked to the Bugis community in Selangor.
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