“裸体”作为淫秽的形象:视觉艺术领域的色情摄影

Didier Vacher dit Valhère
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引用次数: 0

摘要

作为淫秽图像的“裸体”:视觉艺术中的后现代摄影»色情作为一种现象,诞生于一个大规模生产图像的时代,似乎也包括在视觉艺术中。其中,昆斯(Koons)、弗莱舍(Fleischer)和梅普尔索普(Mapplethorpe)等艺术家照旧使用它,保留了摄影图像。每个人都以自己的原创思维将艺术和生活结合在一起,表明了倾向于超越淫秽的色情艺术与大众色情之间存在的差异是多么的微小。两者之间的真正区别是什么?是公众的波动解释,是自身禁令的牺牲品,还是表现现实的技术?色情图片的泛滥是否揭示了反常态度的增加,或者它是基于过度的个人主义、夸大的自恋、通过媒体压力对他者的现实的导向的当代行为的结果?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Le «naked» comme image de l’obscénité : la porno-photo-graphie dans le champ des arts plastiques
«“Naked” as an image of obscenity : the pomo-photo-graphy in the Visual Arts » Pornography which is a phenomenon bom of an era of mass-produced images, seems to be include in the Visual Arts. Among others, artists like Koons, Fleischer and Mapplethorpe use it as it is usually, keeping the photographic images. Each one, with his original thinking which brings art and life together, shows how very small the difference existing is between erotic art, which tends to transcend obscenity, and popular pornography. What is the real difference between the two : the fluctuating interpretation of the public, a prey to its own prohibitions and, or, the technique of the representation of reality ? Does the proliferation of pornographic images reveal an increase in perverse attitude or does it result from contemporary behaviour based on excessive individualism, exagerated narcissism, the vaning of the reality of the Other through media pressure ?
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