{"title":"普希金戏剧散文《cherez nedelyu budu v parizhe nepremenno》的结构与意义(“我下周肯定会在巴黎……”)","authors":"O. Zaslavsky, V. Pimonov","doi":"10.37313/2413-9645-2022-24-84-115-120","DOIUrl":null,"url":null,"abstract":"Object of the article: Alexander Sergeevich Pushkin's dramatic essay “Cherez nedelyu budu v Parizhe nepremenno…” (\"I will certainly be in Paris in a week...\") (1834-35). Subject of the article: structure and meaning of Pushkin's text. Purpose of research: uncovering the hidden meaning of the essay. Research methods: methods of literary research, method of structural-semantic analysis. Results: The authors argue that a hidden motif of false rape allegation hints at a possible death of the hero. That motif is implied by the final scene of the story and separately is encoded by the anagram found in the name of the hero. Foreshadowing of Dorvil’s possible death is also conveyed through the motif of winking; similar use of the winking motif keeps recurring in Pushkin’s other works, in particular, in “Poltava”, “The Captain's Daughter” and “The Queen of Spades”. Field of application: literary criticism, teaching Russian literature of the 19th century. Conclusions: the theme of revenge and motif of duel between the lover and the heroine's husband prefigure the probable outcome of the story. Pushkin's essay belongs to a special type of literary texts that include 1) interrupted narration, 2) hidden meaning (implying the need for a virtual reconstruction of the background),3) possibility of reconstructing both the background and the outcome of the story that is left \"behind the scenes\".","PeriodicalId":284515,"journal":{"name":"Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences","volume":"83 6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE STRUCTURE AND MEANING OF PUSHKIN’S DRAMATIC ESSAY «CHEREZ NEDELYU BUDU V PARIZHE NEPREMENNO...» («I WILL CERTAINLY BE IN PARIS NEXT WEEK..»)\",\"authors\":\"O. Zaslavsky, V. Pimonov\",\"doi\":\"10.37313/2413-9645-2022-24-84-115-120\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Object of the article: Alexander Sergeevich Pushkin's dramatic essay “Cherez nedelyu budu v Parizhe nepremenno…” (\\\"I will certainly be in Paris in a week...\\\") (1834-35). Subject of the article: structure and meaning of Pushkin's text. Purpose of research: uncovering the hidden meaning of the essay. Research methods: methods of literary research, method of structural-semantic analysis. Results: The authors argue that a hidden motif of false rape allegation hints at a possible death of the hero. That motif is implied by the final scene of the story and separately is encoded by the anagram found in the name of the hero. Foreshadowing of Dorvil’s possible death is also conveyed through the motif of winking; similar use of the winking motif keeps recurring in Pushkin’s other works, in particular, in “Poltava”, “The Captain's Daughter” and “The Queen of Spades”. Field of application: literary criticism, teaching Russian literature of the 19th century. Conclusions: the theme of revenge and motif of duel between the lover and the heroine's husband prefigure the probable outcome of the story. Pushkin's essay belongs to a special type of literary texts that include 1) interrupted narration, 2) hidden meaning (implying the need for a virtual reconstruction of the background),3) possibility of reconstructing both the background and the outcome of the story that is left \\\"behind the scenes\\\".\",\"PeriodicalId\":284515,\"journal\":{\"name\":\"Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences\",\"volume\":\"83 6 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. 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引用次数: 0
摘要
本文的对象:亚历山大·谢尔盖耶维奇·普希金的戏剧散文“Cherez nedelyu budu v Parizhe nepremenno……”(“我肯定会在一周内到达巴黎……”)(1834-35)。文章主题:普希金文本的结构和意义。研究目的:揭示文章的隐含意义。研究方法:文学研究法、结构语义分析法。结果:作者认为,一个隐藏的主题的虚假强奸指控暗示了一个可能的死亡的英雄。这个主题隐含在故事的最后一幕中,并分别由英雄名字中的字谜编码。多维尔可能死亡的预兆也通过眨眼的主题来传达;在普希金的其他作品中,尤其是《波尔塔瓦》、《船长的女儿》和《黑桃皇后》中,对眨眼主题的类似使用不断出现。主要从事文学批评、19世纪俄罗斯文学教学。结语:复仇的主题和情人与女主丈夫决斗的母题,预示了故事可能的结局。普希金的文章属于一种特殊类型的文学文本,它包括:1)中断的叙述;2)隐藏的意义(暗示需要对背景进行虚拟的重建);3)对被留在“幕后”的故事的背景和结果进行重建的可能性。
THE STRUCTURE AND MEANING OF PUSHKIN’S DRAMATIC ESSAY «CHEREZ NEDELYU BUDU V PARIZHE NEPREMENNO...» («I WILL CERTAINLY BE IN PARIS NEXT WEEK..»)
Object of the article: Alexander Sergeevich Pushkin's dramatic essay “Cherez nedelyu budu v Parizhe nepremenno…” ("I will certainly be in Paris in a week...") (1834-35). Subject of the article: structure and meaning of Pushkin's text. Purpose of research: uncovering the hidden meaning of the essay. Research methods: methods of literary research, method of structural-semantic analysis. Results: The authors argue that a hidden motif of false rape allegation hints at a possible death of the hero. That motif is implied by the final scene of the story and separately is encoded by the anagram found in the name of the hero. Foreshadowing of Dorvil’s possible death is also conveyed through the motif of winking; similar use of the winking motif keeps recurring in Pushkin’s other works, in particular, in “Poltava”, “The Captain's Daughter” and “The Queen of Spades”. Field of application: literary criticism, teaching Russian literature of the 19th century. Conclusions: the theme of revenge and motif of duel between the lover and the heroine's husband prefigure the probable outcome of the story. Pushkin's essay belongs to a special type of literary texts that include 1) interrupted narration, 2) hidden meaning (implying the need for a virtual reconstruction of the background),3) possibility of reconstructing both the background and the outcome of the story that is left "behind the scenes".