论反乌托邦中的身体与肉体

Corpus Mundi Pub Date : 2023-07-10 DOI:10.46539/cmj.v4i1.76
A. Dydrov
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引用次数: 0

摘要

这篇文章致力于反乌托邦(文学和视听作品)流派中的身体和肉体。这项研究摘自一篇未发表的专著,内容涉及塑造反乌托邦世界内部的身体图像、操纵、程序、过程和边缘、特定物体。本文以具体案例为例——斯坦尼斯拉夫·莱姆、乔治·奥威尔、叶夫根尼·扎米亚京的经典小说以及詹姆斯·达什纳和安德烈·达什科夫相对较新的作品——进行分析和概念概括。作者和书籍的任意选择是由文化和哲学方法的特殊性以及避免总体逻辑和思想主导的愿望决定的。案例的一般和任意逻辑是由各种对象——操作、程序、主体位置(拓扑)和边缘——的条件序列构成的。这些物品与人物的形体直接相关,形成了一个特别的反乌托邦式的内部空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Notes on the Body and Corporeality in Dystopia
The article is devoted to the body and corporality in the genre of dystopia (literary and audiovisual works). The study is an extract from an unpublished monographic work on body images, manipulations, procedures, processes, and marginal, specific objects that shape the interiors of dystopian worlds. Analytics and conceptual generalizations are carried out on the example of specific cases – classic novels by Stanislav Lem, George Orwell, Evgeny Zamyatin and relatively new works by James Dashner and Andrey Dashkov. The arbitrary choice of authors and books is determined by the specifics of the cultural and philosophical approach and the desire to avoid the dominance of totalizing logic and ideas. The general and arbitrary logic of cases is constituted by a conditional sequence of various objects – operations, procedures, body locations (topology) and marginals. Together, these objects, directly related to the physicality of the characters, form a specifically dystopian interior.
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