库奇地区dhabhla传统图案、工艺及其变迁研究

Arooshi Mogha, Neeraj Rawat Sharma
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引用次数: 0

摘要

本研究的主要目的是评估传统的图案和技术的Dhabhla及其变化在库奇地区。古吉拉特邦的库奇区是朝圣的宗教中心,对历史爱好者来说很有趣。库奇的编织工艺起源于过去的物物交换制度。织工非常依赖其他社区来找工作。传统的编织代代相传;时间的流逝创造了新颖的设计,以保持其兴趣。Dhabhla有各种基于织布者日常生活的传统图案——主要是几何图案。库奇的编织以其传统的复杂设计、图案的排列和乡村手工艺品而闻名。通常,精致、丰富、生动和对比色组合的效果被赋予图案。编织的中心是库奇和桑德纳加尔。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A STUDY ON TRADITIONAL MOTIFS AND TECHNIQUES OF DHABHLA AND ITS CHANGES OF KUTCH REGION
The primary purpose of the study is to evaluate the traditional motifs and techniques of Dhabhla and its change in the Kutch region. Kutch district of Gujarat is a religious centre for pilgrimage and is interesting for historical lovers. The weaving craft of Kutch has its origins in the barter system in the past time. Weavers were very dependent upon other communities to get work. Traditional weaving has been accepted from generation to generation; the passage of time has created newness in design to retain its interest. The Dhabhla was available in various traditional motifs based on the daily life of the weavers - mostly geometrical motifs. The weaving of Kutch is famous for its traditional intricate designs, arrangement of motifs, and rural-based handicrafts. Usually, the effect of delicacy, rich-vivid, and contrast color combinations are imparted in patterning. The Centre of weaving is Kutch and Sunder Nagar.
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