人工智能时代美术与设计教学的思考

Chuanqi Yang
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引用次数: 0

摘要

人工智能的出现改变了原有的物质和精神生产方式。鉴于自主机器智能,人工智能已经成为生产文化智能的“生产主体”和新的“主体”,完成了合法的社会身份。智能代理所生产的视觉产品,不仅仅是对某些原作的原始生命力的再现。更确切地说,他们的作品是设计师理念和风格的延续。从广义上讲,它们是人类文明意识的重构。人工智能生产的作品机械地创造了视觉产品的材料和概念部分,直接导致了生产方式的转变。从“生产工具”到“生产主体”的转变,引发了美术与设计课程教学的新思考。本文分析了人工智能时代生产方式的转变以及艺术与设计专业的特点所体现的趋势变化,从而对现有课程教学的发展方向提出建议和思考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Thoughts on the Teaching of Art and Design in the Era of Artificial Intelligence
The advent of artificial intelligence has transformed the original mode of material and spiritual production. In view of autonomous machine intelligence, artificial intelligence has become a “production subject” and a new “subject” in the production of cultural intelligence, complete with legal social identity. The visual products produced by intelligent agents are not only the reproduction of the original vitality of some originals. More precisely, their works are the continuation of the concept and style of a designer. In a broad sense, they are the reconstruction of human civilization consciousness. The works produced by artificial intelligence mechanically create the material and conceptual parts of visual products, which directly leads to production mode transformation. The transition from “production tool” to “production subject” ensues a new thinking in the teaching of Art and Design courses. This paper analyzes the shift of production mode in the era of artificial intelligence and the trend changes epitomized by the characteristics of the Art and Design specialty, so as to put forward suggestions and thoughts on the development direction of existing curriculum teaching.
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