婆罗浮屠故事浮雕,无声的视觉叙事

Primadi Tabrani
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引用次数: 2

摘要

我们的研究小组发现,史前、原始、传统和儿童绘画在视觉语言上是“相同的”。它用的是和我们不同的绘图系统。我们称这些绘画为绘画历史的“入门”阶段。他们的视觉有自己的“语法”,所以就像文字语言一样,视觉语言可以讲述故事。两者都有讲故事所需的时间维度。因此,“入门”阶段的图画是一幅讲述故事的图画。这是一个无声的画面序列,可以有一些场景,没有网格,没有文字。这与爱因斯坦广义相对论(1916)一致,该理论认为时间和空间是不可分割的,它们是一个整体。对于一个平面,爱因斯坦将其命名为STP(空间、时间、平面)。与此相一致,笔者将这种“新的”绘图系统称为STP绘图系统。它有几种模式,如:Pradaksina,最具特色的视图,多视图,多时间和地点,双胞胎,图层,电影场景,X射线,放大,缩小,无透视,无帧,无放大/缩小等。旁观者可以“读懂”他们的画,因为艺术家和旁观者使用相同的视觉语言。它不是像照片那样没有时间维度的“死的”静止图像,而是有时间维度的“活的”静止图像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Borobudur Story Relief, A Silent Visual Narration
Our research team found out that prehistory, primitive, traditional and children drawings havenearly the "same" visual language. It uses a different system of drawing then ours. We call these drawings as the 'Introductory' phase of drawing history. Their visuals have its 'grammar', so like in word language, visual language can tell stories. Both have time dimension needed for telling stories. So drawings from the 'introductory' phase are one picture that tells a story. This is one picture silent sequence that can have some scenes, without grids, without texts. This is in tune with Einstein General Relativity Theory (1916), which state that time and space cannot be separated, it is one entity. For a plane Einstein named it STP (Space "“ Time "“ Plane). In tune with it, this writer calls this 'new' system of drawing as the STP system of drawing. It has several modes, as: the Pradaksina, most characteristic view, multiple view, multiple time and place, twin, layers, film scene, X ray, make larger, make smaller, no perspective, no frame, no zoom ins/outs, etc. The onlookers can 'read' their pictures, because the artist and the onlookers use the same visual language. It is not a 'dead' still picture like a photo without time dimension, it is a 'living' still picture, which have time dimension.
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