在詹尼斯·乔普林的小小帮助下

P. Michalovič
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引用次数: 0

摘要

在他去世前不久,匈牙利作家和散文家psamter Esterházy(1950 - 2016)为斯洛伐克国家剧院写了两部分的戏剧文本梅赛德斯-奔驰-历史讽刺。特别关注著名的贵族家族Esterházy在斯洛伐克的影响。这出戏的作者与这件事有很深的关系。在他的写作中,p米特Esterházy使用了广泛的互文性:他的文学文本就像用他自己的家族史自传的纤维织成的织物,但也有匈牙利和斯洛伐克历史的片段,传说,故事,以及传闻和神话。他的戏剧文本之所以引人注目,是因为Esterházy除了对他自己的文本进行互文循环之外,他还利用了匈牙利经典作家伊姆雷的文本Madách《人的悲剧》。本文的研究重点是阐明Esterházy互文写作的功能、规范和效果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
With the Litle Help from Janis Joplin
Abstract Shortly before his death Hungarian writer and essayist Péter Esterházy (1950 – 2016) wrote the dramatic text of Mercedes Benz – Historical Revue in two parts for the Slovak National Theatre. In particular, it focuses on the famous noble family Esterházy’s influence in Slovakia. The author of the play had a very strong association with this matter. In his writing Péter Esterházy used a wide range of intertextualities: his literary texts are like the fabric spun from fibres of the autobiography of his own family history, but also fragments of Hungarian and Slovak history, legends, tales, as well as hearsay and myths. The interpreted dramatic text is remarkable because Esterházy, in addition to intertextual recycling of his own texts, also exploits the texts of the Hungarian classic author Imre Madách The Tragedy of Man. The author of the study has focused on clarifying the function, specification and effects of Esterházy’s intertextual writing.
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