{"title":"成为一个文化悲观主义者:约翰·惠伊辛加的《在明天的阴影下》和《西方的衰落》","authors":"Nora Gosselink","doi":"10.22618/tp.pjcv.20226.2.144.004","DOIUrl":null,"url":null,"abstract":"This paper explores Johan Huizinga’s cultural pessimism and the developments in his thought during the 1930’s. It will contextualize the evolution of his methodology in relation to perhaps the most exemplary cultural pessimist of modernity, Oswald Spengler. This paper traces the evolution of Huizinga’s thought, from his initial refutation of Spengler’s ‘romantical and metaphysical’ outlook on world history in a book review, to his eventual assimilation of similar methods and ideas.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"92 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Becoming a Cultural Pessimist: Johan Huizinga’s In the Shadow of Tomorrow and The Decline of the West\",\"authors\":\"Nora Gosselink\",\"doi\":\"10.22618/tp.pjcv.20226.2.144.004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper explores Johan Huizinga’s cultural pessimism and the developments in his thought during the 1930’s. It will contextualize the evolution of his methodology in relation to perhaps the most exemplary cultural pessimist of modernity, Oswald Spengler. This paper traces the evolution of Huizinga’s thought, from his initial refutation of Spengler’s ‘romantical and metaphysical’ outlook on world history in a book review, to his eventual assimilation of similar methods and ideas.\",\"PeriodicalId\":220201,\"journal\":{\"name\":\"The Philosophical Journal of Conflict and Violence\",\"volume\":\"92 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Philosophical Journal of Conflict and Violence\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22618/tp.pjcv.20226.2.144.004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Philosophical Journal of Conflict and Violence","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22618/tp.pjcv.20226.2.144.004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Becoming a Cultural Pessimist: Johan Huizinga’s In the Shadow of Tomorrow and The Decline of the West
This paper explores Johan Huizinga’s cultural pessimism and the developments in his thought during the 1930’s. It will contextualize the evolution of his methodology in relation to perhaps the most exemplary cultural pessimist of modernity, Oswald Spengler. This paper traces the evolution of Huizinga’s thought, from his initial refutation of Spengler’s ‘romantical and metaphysical’ outlook on world history in a book review, to his eventual assimilation of similar methods and ideas.