T. Cieślak
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引用次数: 1

摘要

本文分析了1939年以前Łódź用波兰语、德语、意第绪语、希伯来语和俄语书写的具有艺术多样性的文学形式的文本。作者试图识别“Łódź文本”(基于Toporow的排版)的构成要素,并在现代主义文学中寻找现代工业城市空间创造方式的相似性。1939年之前创建的Łódź空间是不连续的、短暂的,充满了无名的居民、劳动群众和小贩。Łódź,像曼彻斯特、伦敦、芝加哥和纽约一样,是一个现代主义的巨大城市空间,充斥着欺诈、勒索和堕落,带来混乱,令人费解和压迫。在Łódź中空间创造的语言,由此产生的“Łódź文本”,反映了它的关键组成部分——工业化和现代性的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Miasto-moloch. Trwałe składowe kreacji przestrzeni Łodzi w literaturze do 1939 roku
The article analyzes texts that represent the artistically diverse literary forms which were written in Polish, German, Yiddish, Hebrew and Russian in Łódź before 1939. The author attempts to identify the constitutive elements of the “Łódź text” (based on Toporow’s typography) and seeks similarities in the ways in which space in a modern industrial city is created in the modernist literature. The space of Łódź created before 1939 is discontinuous, transitory, and filled with its anonymous residents, working masses and peddlers. Łódź, like Manchester, London, Chicago and New York, is a modernist colossal urban space of swindle, extortion and degradation that brings chaos and is impenetrable and oppressive. The language of spatial creation in Łódź, the resulting “Łódź text”, reflects its key components – the problems of industrialization and modernity.
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