从叙事学的角度看法国文学文本叙事结构的组成部分

O. Mamosiuk
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引用次数: 0

摘要

本文从叙事学的角度对法国文学文本叙事结构的构成要素进行了研究。在研究新小说时期文学文本叙事结构的特殊性时,我们依赖于与叙事理论中心范畴相关的理论立场。主要通过叙述者、故事及其变体、焦点化等叙事结构,探讨文学叙事结构的认知和交际机制。叙述者是文学文本叙事结构的主要组成部分之一,它是决定文学作品情节构成文本结构的结构性和组织性因素。故事被认为是文学文本叙事结构的一个功能范畴,因为它实现了叙事形象的功能,叙事形象的载体既可以是文学文本中的叙述者,也可以是文学文本中的人物。聚焦决定了所有形式的叙事存在,包括叙述者,它限制了叙事信息的选择,即所谓的“作者无所不知”。作为视觉焦点的持有者,聚焦的主体可以是叙述者或一个角色,从他的角度来看,事件和/或行动是口头呈现的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CONSTITUENTS OF THE NARRATIVE STRUCTURE OF A FRENCH LITERARY TEXT FROM THE POSITIONS OF NARATOLOGY
The article is devoted to the study of the constituents of the narrative structure of French literary text from the standpoint of narratology. In our study of the peculiarities of the narrative structure of the literary text of the New Novel period, we rely on theoretical positions related to the central categories of the theory of narrative. The main attention is paid to the cognitive and communicative mechanisms of the construction of the literary narrative through such narrative constructs as the narrator, the story and its varieties, focalization. The narrator is one of the main components of the narrative structure of a literary text, as it appears as a structural and organizing element that determines the plot-compositional text structure of a literary work. The story is considered a functional category of the narrative structure of the literary text, since it realizes the function of a narrative image, the carrier of which can be equally the narrator and the character in the literary text. Focalization determines all forms of narrative presence, including the narrator, it limits the choice of narrative information in terms of what is called "authorial omniscience." The subject of focalization as the holder of the focus of vision can be the narrator or a character from whose point of view events and/or actions are presented verbally.
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